Do You Want to Become One With Me?

For serious and at times in-depth discussions only, covering the original TV series, the movies End of Evangelion and Death & Rebirth.

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Postby Sailor Star Dust » Tue May 27, 2008 8:30 pm

Image(wow, I never realized you could see the sunlight reflecting off the water ala 21/26' Yui and Fuyutsuki's lakeside discussion.)

EoE wrote:YUI:
This Rei is from your soul. It's an embodiment of your wish.

Rei (OFF):
What do you wish?



Anyway, I agree that the three woman were fronts for Yui asking Shinji what he wanted; which of course ties in with EoTV/EoE.

Shinji turning into LCL after Rei asks what he wishes for in EoE is similar to the ep.20 scene because he's already LCL by this point.

I guess it can be thought of as this:

20: Shinji already L.C.L before a return to Reality.
26': Shinji reverting to L.C.L as an escape from Reality.
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Postby Squirrel Ninja » Tue May 27, 2008 9:07 pm

What wish do you think that is that Shinji embodies, the wish for a mother or companionship or what. Is Rei the answer to her own question?

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Postby PartyHard » Tue May 27, 2008 9:50 pm

^ I think at that point, his ultimate wish and ideal state was everything that Instrumentality embodies.
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<Kederaji> Well, you know that questionnaire they ask you before they poke you with the needle?
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<Kederaji> Didn't even bother to ask me, just marked them "No."
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Postby sadsadshinji » Wed May 28, 2008 12:16 am

I agree with SSD; the boobie-land scene was really just a way for Yui to ask if Shinji wanted a dissolved existence in EVA-01 or existence in the outside world. If anything, perhaps she is trying to show him the benefits of living a bodiless existence? She does seem rather concerned with the pain and suffering that individual existence has brought him, so it would kind of make sense. In EoE, she seems to take a similar route (with the whole "This Rei is your heart, what do you want (Asuka boobs)).

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Postby Squirrel Ninja » Fri May 30, 2008 3:46 pm

It makes since when you consider the psychological implication of the mother as protective even to the point of isolating there child. Also at the end of this episode on the radio they go through that whole conversation about the "Oral Stage" and psychological dependency.

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Postby Sailor Star Dust » Thu Jun 05, 2008 4:39 pm

What wish do you think that is that Shinji embodies,


With EoE, whatShinji desires is the last thing he sees before reverting to LCL:

Image

Image

A female chest with a particular hairstyle, the girl is crossing her arms, hey that hair and the girl kinda looks like:

Image

Anyway, I made an interesting discovery the other day while playing the PSP version of the Eva2 game (even though it's not exactly canon since some scenes in the "Angel Attack" Scenario are changed or removed for the game). Shinji's first scenario is based on events of the series and EoE. What does Shinji say in scene from episode 20 when he's converted to LCL?

"Ayanami? Asuka? Misato-san? No, it's not them. It's mother."


implying that the three woman ARE fronts for Yui.
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Postby Semisubtle » Thu Jun 05, 2008 7:56 pm

Oh, so they ARE Asuka boobs. I had never really been sure on that.

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Postby PartyHard » Thu Jun 05, 2008 8:12 pm

...Typical Shinji.


Yui: Son, the reality as we know it and the beyond are about to be merged into One, their fate ultimately decided and based on your deepest, most subconscious need. So, speak, voice thy wish.

Shinji: Boobies!

Yui: You are just like your father!
* Kederaji is now officially offended by the Red Cross.
<FraX> How much blood did they want today?
<Kederaji> Well, you know that questionnaire they ask you before they poke you with the needle?
<FraX> Yeah.
<Kederaji> Well, the guy took a look at me and started marking all the sex related questions as "No".
<Kederaji> Didn't even bother to ask me, just marked them "No."
<Kederaji> The bastard.
<FraX> Was he right?
<Kederaji> He was, but that's not the point!

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Postby Eva Yojimbo » Thu Jun 05, 2008 8:46 pm

PartyHard wrote:Yui: Son, the reality as we know it and the beyond are about to be merged into One, their fate ultimately decided and based on your deepest, most subconscious need. So, speak, voice thy wish.

Shinji: Boobies!

Yui: You are just like your father!
:rofl: Can't say I blame him though. There are worse things to do/think about before the apocalypse.
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Postby Ornette » Thu Jun 05, 2008 8:50 pm

Semisubtle wrote:Oh, so they ARE Asuka boobs. I had never really been sure on that.

That's debatable. I don't think it really matters who's they are, but what they represent.

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Postby Reichu » Thu Jun 05, 2008 10:16 pm

In the subsequent scenes, Asuka shoves her boobies into Shinji's face as she taunts him, and, during the reprise of the "kiss scene", Shinji is staring at them rather desperately. It's unspoken, of course, but the one to whom those sketchy (har har) boobies belong is rather heavily implied...

Plus if it's specifically Asuka, and not just some generic chick, in that image, that's a bit more meaningful as a response to "What do you wish for?" Also consider how Fuyutsuki, Hyuga, and Maya saw people they wished for before exploding into Tang (and Shinji undergoes his own liquification here). Shinji's whole "I want to help you and be with you forever" thing indicates a desire/need for Asuka that's beyond boobies (although boobies are fine too).
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Postby Eva Yojimbo » Thu Jun 05, 2008 11:23 pm

Reichu wrote:Plus if it's specifically Asuka, and not just some generic chick, in that image, that's a bit more meaningful as a response to "What do you wish for?"
I disagree it's more meaningful. I think it's more specific, but not necessarily meaningful. By just being generic boobies it could either represent him wanting them in a sexual or motherly way. Many would assume the former, but let's not forget that it's his wanting to escape individuality and returning to mother's womb that leads to Instrumentality. However, if it is specifically Asuka's then that tells us more about Shinji's wishes specifically. I rather like the ambiguousness of it myself and don't think we need to determine whether it is or isn't Asuka.... the way it's presented it could be both (Asuka's literally and just "boobies" metaphorically).
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We're all adrift on the stormy seas of Evangelion, desperately trying to gather what flotsam can be snatched from the gale into a somewhat seaworthy interpretation so that we can at last reach the shores of reason and respite. - ObsessiveMathsFreak
Jimbo has posted enough to be considered greater than or equal to everyone, and or synonymous with the concept of 'everyone'. - Muggy
I've seen so many changeful years, / to Earth I am a stranger grown: / I wander in the ways of men, / alike unknowing and unknown: / Unheard, unpitied, unrelieved, / I bear alone my load of care; / For silent, low, on beds of dust, / Lie all that would my sorrows share. - Robert Burns' Lament for James

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Postby Iron Rooster » Thu Jun 05, 2008 11:26 pm

Shinji probably really REALLY wants Asuka since she's basically the person who would love to be with the most. This is seemingly impossible since Asuka never opens up and she lets her jealousy and personality problems create a barrier that Shinji can't cross. All he has to work with is 'BOOBIES!!!!!'. I guess that's why in that scene where he tells Asuka he wants to be with her but she blows him off exists. It sort of represents, to me at least, how Shinji wants to know Asuka beyond her sexual nature, but Asuka never gives Shinji any ground to advance.

Maybe he sees instrumentality as a way to push past Asuka's barriers against a relationship with him, hence Shinji choking her bitch ass in that scene.

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Postby Ornette » Thu Jun 05, 2008 11:50 pm

What I meant by "debatable" is that you'll have people that can say "but wait, those are too big to be hers" etc...

What I meant specifically is that, yes, they're probably Asuka's, if you absolutely needed to know who's they are, because one can only guess. But the important thing is not who's they are, but what they represent. They're shown as a sketch, and not of a superimposed shot of Asuka, which we have seen already in the show. We're not supposed to see that and point out "hey, those tits are Asuka's". Bottom line, I don't think this is a "Shinji wishes for Asuka's boobs". While, arguably, it may be a part of what he wishes for, the reason why we don't know who's they are is because his wish is more than that.

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Postby NAveryW » Fri Jun 06, 2008 12:03 am

How are they larger than Asuka's? You can't really determine the size from a 2D front-on image. The apparent "depth" could quite easily be an illusion of the shading.
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Postby Anonymous_Evafan » Fri Jun 06, 2008 12:07 am

Eva Yojimbo wrote: but let's not forget that it's his wanting to escape individuality and returning to mother's womb

Say what? It may be, in a sense, a return to a mother's womb but that isn't what Shinji is wishing for. He wanted death plain and simple. I don't know where you got he wanted to return to Yui's womb from everyone just die.
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Postby Eva Yojimbo » Fri Jun 06, 2008 12:16 am

Ornette wrote:But the important thing is not who's they are, but what they represent. While, arguably, it may be a part of what he wishes for, the reason why we don't know who's they are is because his wish is more than that.
:thumbsup:

Anonymous_Evafan wrote:Say what? It may be, in a sense, a return to a mother's womb but that isn't what Shinji is wishing for. He wanted death plain and simple. I don't know where you got he wanted to return to Yui's womb from everyone just die.
It's a bit more complicated than that. What's Shinji's wishing for is a return to a state where he doesn't have the complications of consciousness and ego, which is in a sense a death. And it's possible that Shinji is consciously thinking "death" as in the completely kaput kind, but what he's getting, and likely what he's really wanting, is a return to this perfectly comfortable state of (non)existence.

I think to treat this in the most literal sense it to ignore a buttload of thematics that's built up this specific dichotomy throughout the series.
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We're all adrift on the stormy seas of Evangelion, desperately trying to gather what flotsam can be snatched from the gale into a somewhat seaworthy interpretation so that we can at last reach the shores of reason and respite. - ObsessiveMathsFreak
Jimbo has posted enough to be considered greater than or equal to everyone, and or synonymous with the concept of 'everyone'. - Muggy
I've seen so many changeful years, / to Earth I am a stranger grown: / I wander in the ways of men, / alike unknowing and unknown: / Unheard, unpitied, unrelieved, / I bear alone my load of care; / For silent, low, on beds of dust, / Lie all that would my sorrows share. - Robert Burns' Lament for James

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Postby Ornette » Fri Jun 06, 2008 12:39 am

NAveryW wrote:How are they larger than Asuka's? You can't really determine the size from a 2D front-on image. The apparent "depth" could quite easily be an illusion of the shading.

Don't ask me, other people had argued about this in the past.

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Postby Mr. Tines » Fri Jun 06, 2008 1:16 am

Breasts as fixation could equally well indicate a regression to infancy and being nursed (if not to the womb) -- after all, the only time Shinji is shown in the real world reaching out to breasts is in the reservoir flashback scene. And then there's the Shinjiquarium scene just adding to the mix...
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Postby Eva Yojimbo » Fri Jun 06, 2008 1:28 am

Mr. Tines wrote:Breasts as fixation could equally well indicate a regression to infancy and being nursed (if not to the womb)
Yes, which is what I was referring to with this: "By just being generic boobies it could either represent him wanting them in a sexual or motherly way."
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^ Writing as Jonathan Henderson ^
We're all adrift on the stormy seas of Evangelion, desperately trying to gather what flotsam can be snatched from the gale into a somewhat seaworthy interpretation so that we can at last reach the shores of reason and respite. - ObsessiveMathsFreak
Jimbo has posted enough to be considered greater than or equal to everyone, and or synonymous with the concept of 'everyone'. - Muggy
I've seen so many changeful years, / to Earth I am a stranger grown: / I wander in the ways of men, / alike unknowing and unknown: / Unheard, unpitied, unrelieved, / I bear alone my load of care; / For silent, low, on beds of dust, / Lie all that would my sorrows share. - Robert Burns' Lament for James


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