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GhostlyOcam wrote:Whoa, "Yume no Sukima" is in the film? That's cool!
- According to Sagisu, "F02: Peaceful Times" (also knows as "Jikai Yokoku"/"Next Time Preview") was used in the previous three films to bridge the gap between them, however the song was excluded in this one to emphasize that this IS truly the end of Evangelion. It should be noted that he recorded another version of this song during Shin's recording session, so we'll probably only getting it upcoming supplementary albums, perhaps Outtakes Vol.2.
- Despite the increasing gap between each film, Sagisu has been making music for Eva almost non-stop since 2006. The "routine" he mentioned in here is sending his recorded music to Anno and if he liked it, he will say so and then they'll work together to adjust it for the films. Sagisu preferred this technique as it gives him an extra creative freedom in composing the music (compared to Hollywood's music-to-picture, where the music is solely made to fit a scene's flow) and is very grateful to Anno for giving him a wonderful creative environment.
- For the past 15 years ending in December 2020, the number of orchestral and chorus sessions being held in London for Eva-related music has exceeded 100 times, Shin Eva itself has an astonishing number, but thanks to that he was able to complete Shin's score despite the COVID limitations because during the nearly a decade gap between 3.0 to Shin from 2013, Sagisu has written around 500(!) cues/songs labeled as "opus" and recorded around 250 of them, so this "long-term self-recording" practice has proven to provide quite an advantage in the film's score production. He noted it would've been plain impossible to finish the score if they only started recording music during Shin's post-production, when studio activities were put completely on hold for the majority of 2020 because of COVID.
- However, working the film's multi-audio mix (dialogue, music, sound effects) still has to be done and sometimes during the middle of mixing, Anno would call and asked him to adjust the score which sometimes require him to record more music, to the surprise of his crews. Even after the mixing is finished, more works still need to be done for the "Music From" album, as it consists of the songs presented in its entirety with bonus tracks at that, the mixing has to be done from scratch. Meanwhile, the "film edit" music (music edited to fit in the film) can be compiled to just one CD after being converted from 5.1ch surround sound to stereo, compared to the "Music From" album which has 3 discs full of full-sized songs intended to be enjoyed on their own.
- So even after the film wrapped its post-pro in December 2020, work for the "Music From" album continued simultaneously in London, Tokyo, and Hollywood for around a month up until early January. Sagisu also joked that he also rushed to write the liner notes because of that.
- According to Sagisu, "F02: Peaceful Times" (also knows as "Jikai Yokoku"/"Next Time Preview") was used in the previous three films to bridge the gap between them, however the song was excluded in this one to emphasize that this IS truly the end of Evangelion. It should be noted that he recorded another version of this song during Shin's recording session, so we'll probably only getting it upcoming supplementary albums, perhaps Outtakes Vol.2.
- Despite the increasing gap between each film, Sagisu has been making music for Eva almost non-stop since 2006. The "routine" he mentioned in here is sending his recorded music to Anno and if he liked it, he will say so and then they'll work together to adjust it for the films. Sagisu preferred this technique as it gives him an extra creative freedom in composing the music (compared to Hollywood's music-to-picture, where the music is solely made to fit a scene's flow) and is very grateful to Anno for giving him a wonderful creative environment.
- For the past 15 years ending in December 2020, the number of orchestral and chorus sessions being held in London for Eva-related music has exceeded 100 times, Shin Eva itself has an astonishing number, but thanks to that he was able to complete Shin's score despite the COVID limitations because during the nearly a decade gap between 3.0 to Shin from 2013, Sagisu has written around 500(!) cues/songs labeled as "opus" and recorded around 250 of them, so this "long-term self-recording" practice has proven to provide quite an advantage in the film's score production. He noted it would've been plain impossible to finish the score if they only started recording music during Shin's post-production, when studio activities were put completely on hold for the majority of 2020 because of COVID.
- However, working the film's multi-audio mix (dialogue, music, sound effects) still has to be done and sometimes during the middle of mixing, Anno would call and asked him to adjust the score which sometimes require him to record more music, to the surprise of his crews. Even after the mixing is finished, more works still need to be done for the "Music From" album, as it consists of the songs presented in its entirety with bonus tracks at that, the mixing has to be done from scratch. Meanwhile, the "film edit" music (music edited to fit in the film) can be compiled to just one CD after being converted from 5.1ch surround sound to stereo, compared to the "Music From" album which has 3 discs full of full-sized songs intended to be enjoyed on their own.
- So even after the film wrapped its post-pro in December 2020, work for the "Music From" album continued simultaneously in London, Tokyo, and Hollywood for around a month up until early January. Sagisu also joked that he also rushed to write the liner notes because of that.
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