Komm, Susser Tod - Who is Arianne?
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- Warren Peace
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Yep.
Really like the newer take on the song. It doesn't really betray the old one in any way, but still seems fresh. Even the dubstep version isn't too bad... I would have preferred techno, though.
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The first one is okay, but it doesn't really stand up to the original. That flute is a little overbearing and it doesn't sound like it's mixed really well. The dub version is just painful to listen to. It's still cool that she redid the tune though. Nice of her to go back to it.
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- Jayfive
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Yep, both pretty good versions.
The dubstep version I like less. Its more just a slow track with a distorted bass. Dubstep should be more..yknow...dubby. As in dub reggae.
I would be interested to know (or have it pointed out where its been mentioned already) whether Airanne has seen EoE and particularly the KST sequence.
The dubstep version I like less. Its more just a slow track with a distorted bass. Dubstep should be more..yknow...dubby. As in dub reggae.
I would be interested to know (or have it pointed out where its been mentioned already) whether Airanne has seen EoE and particularly the KST sequence.
- Mt Olympus
- Lilith
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I'm sure Arianne is happy that she'll have 15 minutes of fame and make some money(none of mine though) with these remixes.
I thought that "dubstep" was a joke for teenagers that have very little musical talent and wanted to remix songs, I must be very misinformed. I had no idea it was an actual thing to do now. Exploit what you can while you can, I guess. Well time to bottle up this "I" just a bit more.
On a side note; It seems appropriate to (redo) this song ;)
I thought that "dubstep" was a joke for teenagers that have very little musical talent and wanted to remix songs, I must be very misinformed. I had no idea it was an actual thing to do now. Exploit what you can while you can, I guess. Well time to bottle up this "I" just a bit more.
On a side note; It seems appropriate to (redo) this song ;)
- Seele00TextOnly
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I can see what you mean with the flute, but I dunno . . . I kinda like it. Might just be a matter of listening to it a few times to see if it grows on me.
The dub version is just painful to listen to. It's still cool that she redid the tune though. Nice of her to go back to it.
While I normally don't care for remixes that stray too far from the beaten path I didn't find this one hard to listen to at all. But I don't know much about dubstep so I can't really comment beyond that.
Reviews aside I'm glad she threw these out there. It's nice to see she's revisiting old material and doing some new stuff with it.
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I hated both, couldn't stand listening to them all the way through. That horrible electronic drumbeat, the really poor mixing and audio quality, just not up to scratch for me. I do agree that it was nice of her to revisit the song, but she could have put some more effort in (though, the original was done with professionals, and she doesn't really seem to have the same resources, so maybe I'll cut her some slack (though probably not)).
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1. original
2. Komm Susser Todd (Evangelion)
∞. Dubstep
2. Komm Susser Todd (Evangelion)
∞. Dubstep
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