Evangelion 2.0 OST Track List
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- The Triforce Fighter
- Lilith
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Evangelion 2.0 OST Track List
Hey guys,
Basically I've managed to get my hands on a copy of Evangelion 2.0 OST thanks to my friend yet the names for the tracks on Disc one seem completely nonsensical. They seem to be a bunch of numbers and letters with a odd word thrown in for good measure here and there. Some tracks I can recognise myself like Misato's Theme yet other tracks new for the movie have left me stumped. If anyone can put me in the right direction I would appreciate it.
Thanks!
Basically I've managed to get my hands on a copy of Evangelion 2.0 OST thanks to my friend yet the names for the tracks on Disc one seem completely nonsensical. They seem to be a bunch of numbers and letters with a odd word thrown in for good measure here and there. Some tracks I can recognise myself like Misato's Theme yet other tracks new for the movie have left me stumped. If anyone can put me in the right direction I would appreciate it.
Thanks!
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- Hyper Shinchan
- Younger God
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Do you mean something like this:
I think that the 2EM##_## naming scheme is used by Sagisu, many tracks from Nadia OSTs and the S2 Works are named like that (usually he uses a less complex scheming, he overdid himself with the Rebuild).
Wikipedia wrote:Track listing: Evangelion: 2.0 You Can (Not) Advance Original Soundtrack (CD1)
No. Title Lyrics Music Length
1. "2EM01_B01 At The Very Beginning" 2:37
2. "2EM03_0908" 0:59
3. "2EM04_E4" 1:42
4. "2EM05_KK_B09" 1:04
5. "2EM06_KK_B16" 0:08
6. "2EM07_KK_B09_InDoor" 1:04
7. "2EM08_B17" 0:43
8. "2EM09_YAMASHITA" Takayuki Inoue 1:21
9. "2EM10_KK_C01_AddGuit" 1:39
10. "2EM11_B16" 1:42
11. "2EM12_KK_A09" 1:35
12. "2EM13_EM20_Alterna" 1:56
13. "2EM14_EM10C" 1:06
14. "2EM15_0938 Destiny" 2:21
15. "2EM16_0944 Fate" 1:40
16. "2EM17_KK_A08" 1:35
17. "2EM18_KK_C01" 2:21
18. "2EM19_Sor: Variations on a Theme of Mozart" 1:00
19. "2EM20_KK_A09_Kuriya" 1:47
20. "2EM21_KK_C01_Str+AcGuit" 2:26
21. "2EM22_KK_A08_Orche" 2:07
22. "2EM25_Piano_Nu" 1:37
23. "2EM26_EM05B" 0:32
24. "2EM28_EM13" 0:51
25. "2EM29_E5" 2:00
26. "Today is the Time for Goodbye" (Performed by Megumi HayashibaraArrangement by Motoki Funayama & Shirō Sagisu) Shōichi Kaneko Shōichi Kaneko 2:43
27. "2EM31_0948 In My Spirit" 2:22
28. "2EM32_0910 Keep Your Head Above The Mayhem" 1:34
29. "2EM33_0902 The Final Decision We All Must Take" 3:29
30. "2EM34_E13" 2:00
31. "2EM35_Nu02 Carnage" 1:38
32. "2EM36_E16" 2:10
33. "Give Me Wings" (Performed by Megumi Hayashibara, Arrangement by Motoki Funayama & Shirō Sagisu) Michio Yamagami Kunihiko Murai 4:51
34. "2EM38_F02" 0:46
35. "Don't Turn Around" (Performed by The Peanuts) Tokiko Iwatani Hiroshi Miyagawa 2:55
36. "Season of Love" (Performed by Yōko Kon & Pinky & Killers) Tokiko Iwatani Taku Izumi 3:22
Total length:
65:28
I think that the 2EM##_## naming scheme is used by Sagisu, many tracks from Nadia OSTs and the S2 Works are named like that (usually he uses a less complex scheming, he overdid himself with the Rebuild).
- The Triforce Fighter
- Lilith
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*sighs* So in other words there's no Sagisu to English translator available then = P
I know I might seem picky but I do like my songs on my ipod to be easily recognised and I do not want to spend ages trying to work out which one is that cool sax track is.
I guess I could always name them after the scenes themselves....
Just out of curiosity, do you know why Sagisu names his tracks in the way he does? Does it all make more sense in Japanese and its kinda lost in translation so to speak?
I know I might seem picky but I do like my songs on my ipod to be easily recognised and I do not want to spend ages trying to work out which one is that cool sax track is.
I guess I could always name them after the scenes themselves....
Just out of curiosity, do you know why Sagisu names his tracks in the way he does? Does it all make more sense in Japanese and its kinda lost in translation so to speak?
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- The Triforce Fighter
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- The Triforce Fighter
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So some of my favourites tracks from 2.0 are actually from a totally different project altogether. Talk about cross referencing.
The thread you linked to was an interesting read. Its nice to see Anno and Sagisu putting a great deal of effort into the OST's even if the majority of it is wasted on the Western World (Unless you do a lil bit of digging of course).
The thread you linked to was an interesting read. Its nice to see Anno and Sagisu putting a great deal of effort into the OST's even if the majority of it is wasted on the Western World (Unless you do a lil bit of digging of course).
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- Reichu
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Japanese soundtrack production seems to involve a list of desired pieces being written up by the director (or whomever) and given to the composer. The pieces are designated via production codes (usually according to an alphanumerical scheme of some sort; e.g., for a movie, it's very common to see M-1, M-2, etc.) and don't actually have "real titles" to start with.
So what you're seeing on Disc 1 are the naked production titles of the pieces as used in the film -- the designations of the specific edits, and everything. The ones that were given titles are full-length versions heard only on the soundtrack's second disc.
As Shin-chan said, the production code naming system is much more complex with the NME soundtracks than with Sagisu's previous works.
さらば、全てのEvaGeeks。
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- Hyper Shinchan
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