Now, I know there are already topics about Evangelion's fanservice, and this can be merged if needed. But I feel this deserves it's own topic as it digs deeper than the other topics do, rather than making a blanket complaint about NME's fanservice.
The subject of fanservice in the new series has come up often, and mostly in a way that seems as though it is either detestable, cheap, or even just without subtext. Granted, when I first saw 1.01 for the first time I was a little put off with the new shot of Rei suiting up in the last battle of the film. I generally can't stand fanservice unless it has some importance to the film other than "that's hawt" or "that's funny". The former just seems perverted to me, and the latter strikes me as synonymous to a cheap fart joke. I have outright dropped anime and even live action shows or films for this form of cheap fanservice, and I was a little saddened to see that NME may be following down that same road.
That is, until I realized that I subconsciously recognized Rei's bare-backed, suiting up shot from somewhere else in the Eva franchise.
The NME shot, though not exact, appears to be a mirror shot of this EoE shot. Now I know you're thinking I just defiled EoE forever on the Rebuild sub-forum, but hear me out as I explain how these scenes even seem to hold similarities within the contexts of both films.
In the pictured scene of The End of Evangelion, Rei is explaining to Shinji the Sea of LCL. The camera pans down her back.
The End of Evangelion wrote:Rei: This place is the Sea of LCL, the primordial soup of life. A place with no A. T. Fields where individual forms do not exist. An ambiguous world where you cannot tell where you end and others begin. A world where you exist everywhere, and yet you exist no where all at once.
Shinji: So, this is death?
Rei: Not quite. This is a world where we are all one. This is the world you wished for. Your world.
Shinji: But this isn't right. This feels wrong.
Rei: If you wish for others to exist the walls of their hearts will separate them once again. And then they will all feel fear once more.
In the pictured scene in Evangelion: 1.11, Rei is explaining to Shinji that he will not die. This time the camera pans up her back.
Evangelion 1:11 wrote:Shinji: We might die on this mission.
Rei: No. You won't die. Because I'll be protecting you.
Shinji: (to himself) I am not worth protecting.
I've always believed these things should within context to it's surrounding scenes. Especially in cases like early NGE or NME where the episodes or movie wasn't written to spell out it's metaphors like EoE was written.
In a following scene Rei and Shinji have another discussion before the climatic battle.
Evangelion 1.11 wrote:Shinji: Ayanami, why do you pilot the Eva?
Rei: Because it's a bond.
Shinji: A bond?
Rei: Right, a bond.
Shinji: With my dad?
Rei: With everyone.
Shinji: I guess you're strong, Ayanami.
Rei: Because I have nothing else.
Later on Rei protects Shinji from an Angel's deadly particle beam with a makeshift shield instead of her A. T. Field, and literally feels pain on Shinji's behalf.
I am in no way trying to stick EoE as the link for NME to become a sequel to NGE. (No continuity link has been proven between the two, so I personally don't believe there is any.) I am just showing some interesting thing I've found within 1.11 that may prove that the fanservice in NME can build up to something more than just cheap eye-candy for it's own sake.
For whatever reason, Anno uses Rei's nude, leaning back when touching upon the subject of possible death, the fear of pain, the connectivity of mankind (or lack thereof), and presence of the A. T. field in these two films.
Does anyone else have any ideas on it? Perhaps even as to why?