My point is I can more or less assume most Eva fans appreciate the show on both an academic and emotional level... Not everyone believes this though.
I turn your attention to a post I found on Anime News Network that's, while intelligently thought out, is ultimately not fair.
SurrenderArtist wrote:I've noticed that I'm not nearly as enthusiastic about Neon Genesis Evangelion as a lot of people. If I'm honest, all of the prolonged raving about it irritated me. It's not really tied to my opinion of the series, which was formed somewhat hastily almost a decade ago, but something in the social status of it. I can theoretically empathize with Shinji, moreso now after some deeply unpleasant times when I was in college, but I don't think that I want to. I remember feeling something deeply adolescent in the series that I desperately didn't want to indulge in. Then again, I was still adolescent when I saw it, so maybe I was trying too hard to be growed up.
By contrast, I can relate to the enthusiasm for Patlabor 2 and Revolutionary Girl Utena. Perhaps because they're less oppressively pervasive, there's no men in plastic masks associated with them, for example, and perhaps because the praise for them tends to be a little more subdued, less viscerally emotional and slightly more cerebral. There are, of course, plenty of elaborate analyses of Neon Genesis Evangelion, but opinions about that series feel to me as though they come from an emotional place, no matter how well dressed in intellect they are. Something about that bothers me. By contrast, I tend to see appreciation of Patlabor 2 and Revolutionary Girl Utena as coming either from a more intellectual place or at least with the two closer matched.
I get what he's saying at the very least. Evangelion fans, probably more than any other fanbase has been know let their emotional ties take over. However to say that all the intelligent discussions that's been said about the show (espically on here) is just "from an emotional place" is frankly B.S.