CATO wrote: but it would have been a huge waste to just keep everything to the clear looking surface and stick to action comedy and romance,
But that's not exactly what I refer to when I talk about a healthy Eva. Action comedy and romance are fun but I think it's based on subtle, yet more moving things.
But things that have occurred in other anime, in other stories, where people don't seem to learn, and the lessons themselves seem to be just "plastered" on.
Remember,
Evangelion is not meant just for the characters to develop and mature, but for the
viewer to as well, to take something away from it.
As the original plot line of
Evangelion went, Hideaki Anno seemed to follow what Jack London learned when writing "
To Build A Fire", that sometimes a lesson is best exemplified when the absolute worst is allowed to happen. This also aligns in Hideaki Anno's belief that children should be "
exposed early to the realities of life". (Wonder if he meant other things with that)
CATO wrote:I'm talking about a Rei Ayanami who stops a slap to her face, who tries to arrange a dinner for Shinji; an Asuka who reflects on the fact that being with another people could not be bad.vThese characters are at this point on a state much more advanced than their corresponding episodes in the series, somehow I believe that no matter how broken they are, they have the means to really advance this time.
And with only one or two sources to motivate these changes, and in what seems, at least to the viewer, a rather short amount of time. In the series, these issues were approached gradually, multiple situations were explored, and yet still the characters did not easily sway, true to their multi-dimensional, flawed, and most importantly,
human selves. And yet still, to say if the characters ever learned what they were supposed to is up to interpretation, but there was at least one person who was expected not to ignore these signs, that person being, again, the
viewer.
What I' am most afraid of with this sudden heel-face-turn, is that Eva will turn itself into an amiable, parable-esce story where all the characters learn something of themselves, rather than a life lesson speaking on the social ill of a collective group, or indeed, a
nation, and trying to motivate
change.
It has always been that latter status that has elevated
Evangelion from stories of the former, what makes it truly unique, in that what it had to
say transcended what it
was.
Still, my own determination for if it has crossed over is something I'll save for the last two films. It could be in fact that Hideaki Anno is raising the situation only for the fall to be that much more destructive and revealing. He’s allowed the absolute worst happen before, despites fan pleas and death threats, and he might just have mind to do it again, this time with far more watching, and expectations higher than ever.
Don’t get me wrong, I don’t wish
even more tragedy and strife on these tortured souls anymore than the rest, and
God knows they deserve a “happy ending”, but I learned long ago that Eva is not meant to take into account what the viewer wants, but what it needs for them to see.