
(for reference, the cut immediately follows this one, where Fuyutsuki is going on about Lilith's egg)

Now this cut is on screen for less than two seconds, and while I certainly recall seeing it, to the extent that I paid it any mind at all, it vaguely registered on my brain thus: female in NERV uniform + handgun = overhead shot of Maya, still being her useless-in-a-firefight self. But if you bother to pause and take a look at it, it's immediately apparent that this not Maya; for one thing, the red lighting (other cuts of the bridge in this part of the movie aren't under emergency lights), for another, the previous cut with Maya about a minute before shows her right where she's been since the shooting started (and where she stays in subsequent cuts): under the bridge console with her laptop:

So who is this, and what is going on here? When you take a close look, it's pretty grim:

She's slumped down in a pool of blood, with exit wounds on her back, and blood streaks running down the wall, and some spent rounds by her feet.
In front of her, about ten feet away, what at first glance looked like a vague black blob turns out to be the body of a dead JSDF soldier, also surrounded by spent ammo and clips:

So I guess maybe the idea is something like this: he cornered her against the wall and shot her, but she was able to take him with her. I suppose the point of this cut is to illustrate why there's no more shooting from this point on in the movie: everyone's pretty much killed each other, leaving only Fuyutsuki and the others atop the command center alive.
Interestingly, this is the third time in the movie that we've seen this 'slide down the wall, leave blood streak' deal; the first two times are a bit more obvious:



Normally, when I see the same sort of thing three times in NGE, I figure that Anno is trying to make some point or other. The (karmic?) connection of the first two instances is pretty apparent, but I wonder what Anno may have had in mind by repeating this blood/wall/slide/streak thing yet again here. It's apparent that the red lighting serves to obscure what's going on in this cut; if it were normally lit, there'd be two big, bright, red pools of blood in the shot that would stand out, and make it much more obvious what we're seeing.
So anyway, did anyone else notice this cut, and what actually was going on in it?