Eleven wrote:It's getting harder and harder for me to watch, as the violence increases and is displayed in such an explicit way. I still like the story, but I don't like looking at people crawling out of dead horses ... or worse.
To the series credit, it's justified in every way possible. The violence in the previous movie adaptations of Hannibal was more of a lame excuse on a cursory theme of transformation (or was the surface reading of these themes a lame excuse to show some half-assed gore? either way, it wasn't that good). Here it's dealt with on a deeper, much more archetypal level, you can't imagine one without another. Sure, there are some stretches (as I've mentioned before, the one influenced by Damien Hirst's work is just out of character for Hannibal, not to say downright silly and over the top), but most of the stuff is very natural. Our subconscious is full of primal content, every individual transformation can be imagined in a primal and violent form. It's great that the series are brave enough to give this a full throttle, since it expands every theme, layer and shift.
The horse one is my favorite yet, by the way.