planet news wrote:Thanks to Bomby, I watched almost all of WKW's films outside of the two (In the Mood for Love, 2046) I've seen: Days of Being Wild, Chungking Express, Ashes of Time, Fallen Angels, Happy Together, and My Blueberry Nights.
CE is still my favorite after all of it, followed closely by Fallen Angels. All of his films move me greatly, but no two are as fun as CE/FA. I like how they are all meditations on pretty much the same emotions, but it never gets old (or at least hasn't yet). Ashes of Time was kind of boring though. The action was kind of excruciating. Makes me wonder what Grandmasters will be like.
What did you think of My Blueberry Nights?
Chungking Express has been my de facto favorite film pretty much of all films for over four years now. Ashes seems to be kind of a love/hate film. Did you see the original version or Redux? I far prefer the original, as I remember being kind of annoyed with a lot of the changes in Redux. To my memory, the frame-manipulation he used in the action sequences in Redux were not employed in the original, in which I actually enjoyed a lot of the action.
------------
Watched Dante Lam's Beast Cops this morning. It was... really fucking good, to quote good ol' Mark Renton. Have I ever mentioned that Anthony Wong is one of the best actors in the world? Because if I haven't, he is. The climax surely is something to behold. The last 15 minutes or so might not completely work in a different film, but I'm willing to believe in it because of Wong's sheer badassery. If "badassery" isn't a word, it should be now, and Anthony Wong should be the picture next to it in the dictionary. Even the normally excruciating Michael Wong couldn't take away from this film.
Gordon Chan is credited as co-director, but judging by the two directors' relative works, I'm crediting this film mostly to Lam. Of all the triad dramas I've seen, this is an instant favorite, perhaps even above A Better Tomorrow and Infernal Affairs II.
------------
Followed up Beast Cops with Pang Ho-Cheung's debut film, You Shoot, I Shoot. It was funny, although the excessive usage of jump cuts in the early part of the film was a bit trying. It got better as it went along. Once again, the climax was a great payoff.