What anime are you watching right now? Summer 2016 to now

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Re: What anime are you watching right now? Summer 2016 to now

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Postby Dr. Nick » Sun Jan 12, 2025 3:46 am

Baxingar, first 13 episodes:

The second part of the J9 trilogy finds its footing. I wasn't a fan of Braiger/Bryger, as it always felt to me like it was simply a very low-rent imitation of Lupin the 3rd's edginess in space, but it did have good music, some promising vibes of the more accomplished space westerns to come, and a doubtlessly amazing main antagonist. So total was Khamen Khamen's victory that the success of his villain plan in part 1 serves as the basis for the sequels' worldbuilding, centuries in the future.

Baxingar's killer concept is that it's a biker version of the story of the Shinsengumi... iiin space!

Tired of the lawlessness of the feudal solar system outside of the Earth Sphere, which is now also threatened by the arrival of black ships from Barnard's Star, our protagonists set up a paramilitary troop of their own to bring peace and justice to the frontier. Of course, by doing so they are also explicitly protecting the status quo of the ruling Bakufu government. Because Baxingar is adapting, however loosely, actual events from a turbulent historical period, its edginess has actual edge to it, and it's remarkably morally complicated stuff for a super robot anime. Then again, Dougram was airing at the same time and the real robot genre was at the zenith of its realness, so I don't want to oversell Baxingar as some sort of subtle real robot mimic. It is fantastically goofy and visually cheap, and a lot of its charm comes from this contradiction of cheese and darkness. And knowing what happened to the real-life Shinsengumi, my guess is the story's headed to the downer territory again.

The thing with the J9 series is that the mecha parts come off as contractually mandated blemishes on Yuu Yamamoto's vision. These are not shows that revel in the robot action the same way as many of their contemporaries did. Tomino may have resented the toy executives for pushing crap designs on him, but his shows always built good action beats around the toys. In Yamamoto's shows the toy seethe is more palpable, as the episodes seem to be going out of their way to minimize the robot screen time. Where did this new team of heroes, who are all fanboys of the original Braiger crew, obtain the former's size-changing machine technology? From the toy company sponsors, seems to be the unsaid in-universe answer.

But there is one piece of mechanical kit the show genuinely loves: the Cosmobikes. They are a hoot, and they imbue it with lots of individuality. Imagine normal motorcycles, but which also double as budget starfighters. They don't transform or anything; they have antigrav engines and dinky double lasers facing forward, and they can be flown in space as is. Or even in atmosphere, as is sometimes done, but the show does visually imply that such maneuvers require extraordinary skill. No surprise, considering the bikes don't even have small pop-out wings like those in Megaforce. Fuel economy seems to be an additional concern, so outside of battles the bikes are mostly driven normally on roads. Thanks to these little fuckers, the action parts have a whole new absurd energy to them, especially when dudes are swordfighting in mid-air. And even when the giant robots do come out for their obligated 30 seconds of screen time, the quick showdowns, which are usually over after a single sword slash, are a better fit to the jidaigeki trappings of the story.

In terms of mecha follow-ups that greatly improve upon their originals, Baxingar is so far right up there with Voltes V, and that's high praise. Here's hoping nobody jumps the shark on their flying motorcycle.

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26 Years since the passing of the hero Himmel, in the current EvaGeeks 'What anime are you watching?' thread.

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Postby EvangelionFan » Sun Apr 13, 2025 1:00 am

:rei_poke: been watching some things...

Frieren: Beyond Journey's End (English dub)

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This past month the English dub of Frieren was available to watch for free on the Sony Pictures app one of the TVs at home, and in light of the shows' popularity and the announcement of a second season arriving next year I thought it'd be a good opportunity to give it a go. The dub is very good, and the show sets a high bar in animation, screenwriting, and overall quality.

I am happy I spent time with this show as although I haven't begun to read the original Sousou no Frieren manga, it's apparent that this adaptation is authentic to the source material all the while animating new material to expand on existing scenes.

And it never seems to stumble in how it balances its introspection (namely meditations on how perspectives adjust with age, and the importance of spending time with people dear to us) and its humour, and I saw no hesitation in how it allowed scenes to breathe where they needed to. In the first half of season this is particularly important because there are many scenes where we're still beginning to understand the past tense of Frieren's story alongside Frieren & Fern's lives in the present, so it needs that steady hand to succeed.

If the first half of the season is where I fell in love with the characters and the storytelling, the second half of the season - the First-class mage test arc - shows much thought has been put into the world, and proves how well the premise of the story is able to step beyond (pun intended) the normal playing field of fantasy adventure stories. The additions to the cast in this arc all add their own spin to situation, and though early on in the 1st test I was unsure if it was a wise move to spend so many scenes away from the main heroines, those separate stories soon tie together as the teams face-off in a satisfying showdown. The 2nd test builds on the new dynamics and it delivers. At this moment in the arc I think the standout newcomers are Übel, and Denken. The 3rd test ties almost everything about the arc and the show to this point together in such a way that I have no lingering questions about anything I've seen, apart for the question of what's next? And that's how a great show should be.

If all the praise and cultural impact of Frieren isn't enough to make it essential viewing for anime enthusiasts today, it's a fair bet the second season airing next year will see a lot of people picking it up so that they can join in on the conversation and keep up with the memes.


If there's one final note I'll add about Frieren (for now) it's that I feel this series would've garnered fair amount of appreciation on these forums in the early 2010s', when these What anime are you watching right now? threads were quite active.

* * *

... speaking about posting in these threads in the early 2010s, these past two nights I've re-watched Full Metal Panic! The Second Raid

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I first watched FMP: TSR in June 2011 - at that time, I said that I was 'reasonably satisfied' with it. It's almost fourteen years since, and as the show approaches its twentieth anniversary, it is now about the age I was when I first watched it. I admit that I didn't remember as much as I thought I remembered about it; in fact there's a fair amount of content in this that surprised me, mainly the cast additions in this season, and the intensity of the violence in some scenes.

Before I say a bit more about my new thoughts on the TSR overall, bear with me for a sidebar here as I address one new character in particular who I had completely forgotten, and who is the standout source of a lot of the aforementioned violent intensity in the show:

sidebar  SPOILER: Show
FMP!: TSR introduces a new antagonist, a weapons dealer / arm slave operator by the name of Mr. Gates.

Here he is shooting up someone in a blink of an eye:
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Here he is a few frames later, as a shoot-up carries on around him, swaying his hips back and forth as he sings 'Ave Maria':
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Here he is after finishing singing, abruptly shifting his mood again as he asks who among his group shot one of his soldiers, after shooting said soldier in the head himself for daring to criticise him:
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He's an unhinged man. If this season had been adapted into Hollywood live-action, I imagine he would've been played by Javier Bardem - because between Bardem's roles in No Country for Old Men and Skyfall there's absolutely precedent for Bardem to nail this kind of a character.

But if it initially appears that Mr. Gates doesn't give a f*** about anyone or anything, after he is forced to abandon his initial arm slave confrontation with Sousuke it becomes apparent that Mr. Gates is kind of a tsundere:
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I-i-i-i-it's not like I wanted to fight you in our arm slaves or anything, baka Arbalest operator!

And he's also implied to be a serious degenerate:
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All of this is to say: how in the heck have I not remembered this character in this show? It's insane that KyoAni of all studios included him as he is, and his inclusion brings some amazing entertainment value in an otherwise unassuming anime series.

(For contrast, I remember Gauron getting a little off his rocker a few times in the first season, and in his sole appearance this season - though he didn't go nearly as off-kilter out there as this Gates guy does. I did remember Gauron over the years - but not by name - as he is the anime's original antagonist.)


ahem to get back on track about my new impressions ...

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I knew I would enjoy watching FMP!: TSR again, but I enjoyed it much more than I anticipated. I especially appreciated how well it handles the personal conflicts of the cast, and how it handles their interpersonal drama alongside the stakes at hand. It's actually a very well done season. Sequences such as "Don't talk and drive!" are an excellent example of what KyoAni was able to accomplish here in striking the balance between serious action and humour. Adding to the already high quality here is the touch to have the voice actors speak some lines in Italian for a scene set in Sicily, and Cantonese (I'm guessing) for a few of the scenes set in Hong Kong. I have to say I had almost no memory of how the subplot with Sousuke attempting to operate the Arbalest's lambda driver unfolded, though watching the final episodes last night it's apparent once again that subplot had arguably been the main storyline all along; all of the main trio (that being Sousuke, Kaname, Tessa) had arcs which were primarily about how they had needed to accept themselves as they are and acknowledge each other's strengths in order to move forward, and they came across very well.

If there's one thing that felt short it's that the season could've included a refresher as to why exactly Tessa is in the Captain's chair of the submarine at her age, as I feel it'd help in underlining her position for new and returning viewers - that said I can understand why KyoAni allowed this to aspect of the season to lean more on show rather than tell, and it's that the season overall is rather tight on time to achieve what it needs to achieve. (Or is it a latent feeling that I could've appreciated more scenes with Tessa? And besides, as the final episodes demonstrate, Tessa may be young and at times immature but she is ultimately beyond reproach in her position). As it stands there isn't any time in this season that was misspent - for example, the curtailing of the High School cast (who I recall were embellished for a fair amount of filler content in FMP!'s first season) works to TSR's advantage; and if it wasn't already apparent from my sidebar above, the time allocated to the new characters in this season pays off.

I am happy I took some evenings to watch TSR again after all this time, as the only other part of the franchise I've engaged with in the intervening years was another re-watch of Fumoffu! halfway through 2019. And I thought I needed to touch base with the main part of the story again, because, well, if you haven't suspected this already -

* * *

Next time: Full Metal Panic! Invisible Victory
Last edited by EvangelionFan on Sun Apr 13, 2025 2:53 am, edited 1 time in total.
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Re: What anime are you watching right now? Summer 2016 to now

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Postby The Killer of Heroes » Sun Apr 13, 2025 2:43 am

Loved Freiren and FMP The Second Raid (Though it's been quite a while since I've seen the latter). Invisible Victory is pretty fun too, though its a huge bummer the franchise has been left hanging again anime-wise for several years now...

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But is Tessa still best girl?

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Postby EvangelionFan » Fri Apr 18, 2025 6:16 am

View Original PostThe Killer of Heroes wrote:Loved Freiren and FMP The Second Raid (Though it's been quite a while since I've seen the latter). Invisible Victory is pretty fun too, though its a huge bummer the franchise has been left hanging again anime-wise for several years now...

Glad to hear you enjoyed Frieren too!
And I agree, it's a bummer that another season of the FMP anime has not been able to get off the ground since Invisible Victory ...


Full Metal Panic! Invisible Victory (subbed)

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Initially I thought I'd watch this over two nights, but I ended up enjoying the first half so much that I stayed up to binge the whole twelve episodes. I think Invisible Victory (2018) is a very good season, and after all this time since the original Studio Gonzo series (2002) and the KyoAni sequels (2004, 2005) it's impressive that Studio Xebec were able to pull off as much as they have here in adapting these sections of the original light novels and nailing the majority of the animation style established by the earlier seasons. It's almost as if it never went away!

However, before I expand on my experience with IV it's worth acknowledging that the version of the season available to buy or stream today is more polished than the on-air versions, which suffered from quality some assurance issues predominantly in the second half of the season. In addition, the broadcast of IV utilised not one but two recap episodes, which indicates production issues that Studio Xebec and assisting studios may have had in meeting the timelines set for the broadcast. I say 'assisting studios' here because the Anime News Network encyclopaedia page for IV lists over a dozen different studios which assisted in 2nd Key animation, In-Between animation and more, suggesting that the production of IV was ultimately financed by a broad set of production partners. I'll have more to say about this near the end of the post, but I thought it would be useful for some Geeks who haven't yet seen IV to know a lot of hands were involved in bringing it to our screens, and as such several aspects of the production aren't up to the standards set by previous seasons.

And the use of 3D CGI in IV is certainly a stylistic choice some find issue in - I found it worked out well overall, though I'll address a few cases of it in the spoilers below.

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Invisible Victory starts off from the story threads introduced in The Second Raid involving Tessa's enigmatic brother Leonard and his role in the rival organisation, Amalgam, who have had enough of Mithril's interference in their activities. Amalgam are taking their gloves off, and it isn't long until Sousuke and Kaname's idyllic life at Jindai Municipal High School is interrupted by Leonard, who arrives to persuade Kaname to accompany him in peace before Amalgam acts to apprehend her by any means necessary. As attacks on Mithril bases around the globe unfold and Sousuke and Kaname are forced on the run, it's clear that there is no going back to the status quo for anyone - the opening four episodes focusing on this are arguably the most thrilling that FMP has ever had and will ever have.

And on that note it's hard to ignore any longer that IV is best understood as three individual arcs, as the season adapts three of the original light novels. I'll separate spoilers as such.

Episodes 1-4, :woohoo: 'Continuing On My Own' arc  SPOILER: Show
I knew very little about the story of Invisible Victory going in - I anticipated it'd be another season similar to The Second Raid. In fact it came as a surprise to find it change course into something so serious in Episode 2 - innocent folk are caught up in the intense combat as a civilian is shot in the leg from Sousuke's small arms fire aimed at an Amalgalm Alastor-type AS, and Kaname's stress accumulates as they are forced to stay on the move, and as her guardian guns down Amalgam soldiers in the double-digits on his own. The arrival of the helicopter and the Arbalest bring both further carnage to Amalgam forces and the assurance of safety to our heroic couple.

And actually, the confirmation of their couple status is one of the best points of the opening episode: on their walk back to Kaname's apartment after school, Sousuke asks Kaname to hold hands. It's a heartfelt and long-awaited moment that informs the rest of the couple's development in the season and lays the goundwork for Kaname to share her feelings about how peaceful their lives has been up to this point, and for Sousuke to actually share with her why goes to such lengths to protect her.

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If it were any other franchise I feel that the showrunners would've tucked away that scene for the final episode rather than serving it up for the first episode as IV does. It's so important that they include it early on though, as the scene directly following that is the one in which Leonard interrupts their after-school cooking plans, and the cold reality of Amalgam's intentions is laid bare.

I believe these four episodes are among the strongest in the whole franchise, though there's undoubtedly some shortcomings, namely that 3D CGI car chase in Episode 2:

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Fortunately it's the only car chase in the season, and in comparison the 3D rendering and movement of the M9-size arm slaves is usually quite well done and suited to the style of the series:

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If you've seen the original seasons and are on the fence about Invisible Victory, I feel the the strength of this storyline in these initial episodes are a strong case to at least give it a shot, as I loved it.

There is a B-plot in these four episodes - about Amalgam's assault of Mithril's Merida Island base - and it's also good, but not as satisfying as the A-plot about Sousuke and Kaname. Our supporting heroes such as Tessa, Melissa, and Kurz have opportunities to shine here, and they do, but the attempts to defend the base before the submarine is suitable for escape aren't without significant personnel and material losses for Mithril. My isuses with the B-plot are that there isn't as much in the way of background music, and that the 3D CGI for the Behemoth-sized arm slaves isn't as believable as those for the M9-sized arm slaves; these aspects taken together with their somewhat easy escape undermined the tension and made the assault on the island seem not as serious as they had been making it out to be.

Best of all it had Tessa! And early on when one of the M9 pilots expressed interest in mutinying to escape the assault on Mithril, in comes Tessa to lay down the law of the sea:

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SAY MY NAME.
You're the Captain.
You're goddamn right.


Episodes 5-8, :shoot2: 'Burning One Man Force' arc  SPOILER: Show
Okay so this is something of a departure from the storyline of the first four episodes and from the familiar zones of the franchise. It's a few weeks later, and we're in a foreign country called NAMSAC, where a plucky young lady by the name of Nami leads a team of mechanics that maintain an arm slave for NAMSAC'S non-lethal AS arena. When the the teams' regular pilot winds up dead just hours before a match, in walks Sousuke - he'd wanted to speak to the late pilot who was a former war buddy, but upon examining the teams' old school Savage-type AS Sousuke decides to offers his expertise as replacement pilot. It takes some convincing ... though he gets the job, and it leads to some great arena scenes that reinforce the production's choice to use 3D CGI animation models for the arm slaves this season.

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As this NAMSAC arc carries off in this fairly laid-back form, it's a little longer until it gets serious again. Whilst out shopping, Sousuke and a photographer accomplice are arrested by the police chief, who informs Sousuke that the arena matches are supposed to be rigged, and that he's winning too much. Sousuke spins the corrupt Chief's extortion attempt into a request to participate in the off-the-books arm slave deathmatches using lethal gear, and the Chief agrees. Nami takes some effort to convince - Sousuke confides in her that he's using the matches as a way to get close to Amalgam, as Mithril intelligence previously determined that Amalgam pilots were involved in the death matches. And to no-one's surprise, Amalgam is very much involved and looking to use Sousuke's involvement as an opportunity to dispose of him.

It starts out as a good reprieve from the first four episodes, though without spoiling more than I feel I ought to, I'll say that the new Amalgam antagonist is completely serious about job and not at all insane like the last two. The antagonist's demeanour leads to a surprising choice for Sousuke's opponent in the slave deathmatch, and a full-on gunfight finale that I'd not at all anticipated after all of the AS-focused fights. It's frankly great, gut punches and all.


Episodes 9-12, :sniffle: 'Come Make My Day' arc  SPOILER: Show
In Episodes 9-12 we see what happened to the Mithril survivors aboard the submarine, how Kaname is handling her isolation, and how Sousuke is preparing to take on Amalgam again in the hopes of saving her and bringing her back home.

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I believe this arc of IV needed one more episode - not to extend beyond where the story leaves off, but to better fill us in Sousuke's headspace after all the suffering that he's been through this season, and on Kaname's headspace about her situation amidst the luxury of Leonard's mansion. It's the inverse of the issue that a lot of other television and movies struggle with - which would be 'show, don't tell' - but here, I am satisfied with what was shown, but not satisfied enough with what's been said by the heroes themselves. It's a bizarre point to be making about any narrative, but apparently there's a lot more internal monologue by both Sousuke and Kaname at this point in the original light novels, and I suppose neither enough time nor enough budget to work more of that material into this production.

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In that light, these four episodes - as entertaining as they are - are almost an exercise in edging the audience. And as a Destiny 2 player, I believe I know a thing or two about being edged by entertainment media.
- I am happy with how Tessa's arc went with Episode 9 & 10, however she and the submarine bridge crew supporting cast aren't all that present in Episodes 11 & 12. I would've appreciated their insight in some moments, such as the new Amalgam arm slaves, or arrival and show-off of the ARX-8.
- All of the training and planning scenes at the Yankee base are amusing and make for a a good break from the side serious of the season, but as with the submarine bridge crew, the build-up with the support they provide to Sousoke brings them almost no presence in how Episode 11 & 12 unfold beyond putting his boots on the ground in a US-supplied M6 AS. I suppose they facilitate the delivery of the ARX-8 to the battlefield after Sousuke trashes the M6, but the ARX-8 was brought along by Wraith. (Have I mentioned that this season does well with all the technical details about the different Arm Slaves? I think it made more of an impact here than in TSR)
- About those new Amalgam arm slaves - they are teased at the end of Episode 11 in a stunning shot against the backdrop of a lunar eclipse, and in Episode 12 they're shown to be in something of cat-and-mouse game with the Mithril AS team ... but barely a minute into it the enemy pilots are asked to fall back to defend the mansion from other Amalgam factions! All of the enemy pilots were established in previous episodes so they aren't throw-away baddies, but after this brief scene they don't appear again at all.
- After being teased all season in the OP (which by the way I prefer the OP & ED for IV over those of TSR), the arrival of the new ARX-8 is a welcome reunion for Sousuke and Al. It's satisfying to see them together again in battle, but it's also kind of a baffling instance of powerscaling, as the ARX-8 absolutely dominates against the reinforcements sent by the other Amalgam factions. It's fun of course, I just am not 100% sure if it's earnt, or if it's the right call for it to receive all of the focus that it does given the aforementioned limitations of the character writing.

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Though that last exchange with Kaname and Sousuke - I wouldn't change a thing about it.


As satisfied as I am with Invisible Victory, there are enough small points that are off about the overall picture which I would've wanted to be see done better to say that although it is worth watching, it isn't the new high bar of the series.


* * *
Bringing back that point above about how many animation studios had been involved in bringing IV to our screens, it feels unlikely that there'll be another anime adaptation to pick up at the spot it left off. For as good as Full Metal Panic! is, it's also not lucrative enough for the studios that are able to meet the animation needs of this kind of an I.P. - there's almost always going to be another I.P. that's more worth their while to adapt, an I.P. that will hit a bigger share of today's market, sell more Blu-Rays, and more merch. We're far more likely to hear Yukana play C.C. again than hear her play Tessa again. I read that the Japanese Blu-Rays for IV sold well on release, though seven years on I'd imagine FMP BD sales in Japan and abroad are slow indeed.

If interest in more FMP anime arises on the industry side, it's unlikely to be from more sales of older releases, but from sales in new material such as the spin-off Full Metal Panic! Family light novels. Two novels were released last year, and the second novel was promoted with an advertisement voiced by Satsuki Yukino and Tomokazu Seki. Kadokawa certainly thought it was worth booking the series' two main voice actors for a two minute promotion and selecting two new cast members to voice Sousuke and Kaname's children in the promotion. And the light novels are apparently already being adapted as a manga. If there's a slim chance of a future for more FMP anime ... it's unclear if it'll continue on from IV.

* * *

Next time: I've been unsure about what to watch next so unless I pick something over the weekend, next time I might write some thoughts on two or three shows I watched in 2024.
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How many losing heroines, exactly?

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Postby EvangelionFan » Mon May 12, 2025 6:02 am

:rei_happy: Back again!

Makeine: Too Many Losing Heroines! (subbed)

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A new high school romcom light novel adaptation approaches! Makeine is not your average high school romcom. If the title isn’t giving the game away, it’s not only aware of popular genre tropes, but also turning them upside down and having a good time of it. In fact this series is so good of a time that it might actually be one of the standout shows in its genre. It’s a realist romcom, not a fantasy romcom like Haruhi or an action romcom like Full Metal Panic!, and though there are some ecchi moments they aren’t overdone. And no matter how many romcoms you’ve seen, this series has some of the best animation and background art out there, and it’s much more entertaining than I anticipated.

Cue the story: our first-year hero Nukumizu is a light novel afficionado, who's read enough romance LNs to immediately realize when a real life romcom rejection is going down! In the opening scene, Nukimizu happens to recognise fellow classmate and star losing heroine Anna in a cafe with her childhood friend, and witnesses her dreams of high school love come to a heart-breaking end ... until it becomes awkward, and then hilarious. Boy oh boy does Nukumizu set off a chain of events just by making eye contact with Anna at this crucial intersection of their lives... his social life and his wallet will never be the same!

From a certain point of view, Nukumizu is in a bit of a bind hanging out with Anna as she pays off her debt to him with school lunches – but soon, he’s roped into the school literature club, and is involved in helping not only Anna steer herself through her feelings about her lost opportunity at love, but also two other first-year girls who are about to face the realities of their own romantic aspirations. It’s less about Nukumizu getting in the middle of things as it is about him happening to be along for the ride and offering his new friends someone to lean on as they figure out their romantic struggles, and his support in fulfilling the commitments of the literature club. It’s a lot of fun watching these silly kids work things out ... and wondering all the while if Nukuzmizu is actually secretly romantically interested in any of the girls he's come to count on as his friends, or if any of three titular losing heroines (Anna, Lemon, & Chika) are over their past love interests enough to start to feel something about him.

And not only that, the series is visually on another level to everything else. It’s as if Shinkai worked on this at times, I had to be sure at points because there are so many scenes that seem as if they are straight out of Garden of Words or Your Name:

Studio: A-1 Pictures  SPOILER: Show
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Shinkai doesn’t have anything to do with Makeine, but seeing the above, you understand why it’s natural to think of his work whilst watching this series, yeah? A-1 Pictures has shown off a very strong sense of lighting and shading in this series; in outdoor scenes the greenery is a natural relief, and indoors scenes with sunlight appear appropriately lived in or underused.

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I also appreciate that this series is set in the medium-sized city of Toyohashi instead of a major city like Tokyo or Kyoto, and that the school setting is a somewhat more aged set of buildings instead of the usually ultra-clean and brand-new-looking schools in a lot of other anime series and films.

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Also: I know sometimes studios trace off of locations in real life to be authentic to the setting, and several elements of the school setting and almost all of the locations visited in the series are drawn from life ... or just straight up from life, somehow. It all looks really good, okay?!


For those who might be interested in the light novels, episodes 1-11 adapt Volumes 1-3, with Volume 4 also available in English (Japan is currently up to Volume 8). The twelfth/final episode is an anime original written by the LN author specifically for the series, and I am very happy with that choice for the ending as although episode 11 ends on a good note, I think stretching those arcs of the anime to 12 episodes might’ve spoiled the otherwise excellent pacing. And without that original 12th episode we would’ve missed out on a few Anna’s best reaction faces in the series - sorry but no more samples for the Anna reaction faces, I assure you it's far more fun to see her reactions to things fresh in the moment, and then you'll understand me when I say that she's the fan favourite for a reason and that you should buy Anna stocks and short Lemon and Chika stocks ahead of the second season.

I absolutely recommend Makeine, and I am eagerly awaiting the second season arriving sometime next year.


* * * *

Wotakoi: Love is Hard for Otaku (subbed)

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Romcoms about working adults appear to be a rarity in anime, and as Wotakoi was available on Amazon while I had the service back in December, I gave it a shot. It’s quite good!

Wotakoi features two main couples who all work together in the same office, and a third couple that comes up later in the series. As you can see above from the screenshot I included - there weren’t many good quality screenshots around to pick from to downscale for this post, and this one’s pretty funny – the leading lady (pictured right) and supporting lady (pictured left) get up to mischief in discussing BL in some episodes. The leading man is a massive video game nerd, and the supporting male lead (their supervisor in the office, no less) is a closet magical girl fan. Fun couple dynamics and double dates ensue … and I learnt more about BL genre tropes from discussions in Wotakoi and in Makeine than I knew before, which is more than I wanted to know ... though I'll confess it was all fun and funny in-context. The Mario Kart and Pokémon Go! references more than made up for the BL mischief in Wotakoi, though Makeine still has its own BL joke to answer for …

Also, both Makeine and Wotakoi are animated by the excellent A-1 Pictures.

I recommend at least the first couple of episodes of Wotakoi for fellow EvaGeeks as there’s a clever Evangelion reference early on that the characters follow up with a chat about their favourite characters from the franchise. The anime and the manga Wotakoi is adapted from are several years old now; I recall many of the other references are to series or games which were popular in the mid-2010s but which still fit even if they are not ones I’ve personally watched or played. The comedy is great, and the relationship development is done very well too – though the supporting couple is already established at the start of the series and are the more dramatic couple, the main couple are just starting out and there are some very sweet moments for them. I’ll definitely return to this series someday.

Please note that if you plan to watch this on Amazon Prime, the service only has the original 11 episodes – for the 3 OVAs, they’re available on the DVD set, or you might want to see them on the high seas.


* * *

My Deer Friend Nokotan (subbed)

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I’d heard of Shikanoko Nokonoko Koshitantan and had also seen some segments of it on the internet before I saw it on Amazon one day in September (by that time, who on the internet hadn’t?) and as the whole season was there, I thought I’d give it a go.

It’s about former delinquent Koshitan, who is forced into assuming responsibility for the well-being of deer-antlered-girl Nokotan, and her schools’ new ‘Deer Club’. Also, there are 3D CGI deer that appear as if out of a fever dream. To be any clearer about this series’ sense of reality unreality could spoil the fun.

It’s a good time for a light-hearted show. It is also, however, a gag anime – and that means your mileage may vary from episode to episode. I know that for some who watched it, it struggles to measure up to the enormous amount of hype it attracted from the opening and other pre-season advertising. I agree with the sentiment insofar as it applies to some of the material adapted in the second half of the show, where in episodes seven through ten the studio appears to pare back on the kind of wild interpretations of the source material that made the early episodes so enjoyable. Episodes eleven and twelve bring the hijinks back up a notch, and as was the case with Makeine, the twelfth episode of Nokotan is an anime original.

Nokotan a lot better than the manga it’s based off – the manga Is okay on its own, but the studio injects a lot of creativity into the anime that it needed if was going to keep up in this medium, and they mostly knock it out of the park.

…out of the Park  SPOILER: Show
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Is that a pun? A tourist park pun in my Nokotan write-up?

All of the IRL tourist attraction imagery is unique to the anime. I initially thought the studio added it all in as variety content to complement the recurring storylines about live deer and deer parks, though remember how I mentioned that the twelfth episode is an anime original?
You see, Nokotan is the key to all of this. :sad_georgelucas:
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Nokotan is supposed to be working as a mascot at a tourist attraction, but she’s been slacking off! I recommend that final episode just for the training sequence on its own. Or you could watch it in the video segment I linked right there, noko.

So – should you watch Shikanoko Nokonoko Koshitantan?

I had a good time, the deer club had a good time ...  SPOILER: Show
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Yes, thank goodness. :penpen_aghast:
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Avatar: Wakaba Shinohara

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Re: What anime are you watching right now? Summer 2016 to now

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Postby Evil Eye » Tue Jun 10, 2025 6:40 am

My wife and I have been watching Frieren: Beyond Journey's End recently. Safe to say it absolutely lives up to its reputation. It's very, VERY good- perfect balance of action, funny bits (notably Frieren's endlessly amusing facial expressions) and genuine poignancy. 100% worth a watch.
I let Jesus take the wheel, and Jesus crashed the car.


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