I will start this by addressing the obvious: Shinji and Asuka's relationship is not as well developed and relevant as the original series'. This is not me trying to compare the two. It isn't about shipping either. I just want to point out some elements people usually overlook and maybe suggest an interpretation.
I want to start by pointing out how their relationship subverts the one from the original series. In NGE, Asuka starts the series not really liking Shinji, but the feeling gradually increases as they spend time together. I guess you could say it's similar to how these feelings play out in real life. But the irony is that the more she likes him, the more they grow apart and the more she pushes him away. In the movies, however, she starts to like him very quickly and even tries to compete with Rei for his attention at some point. It's a lot more artificial at a first glance, but it makes sense when you consider the environment she grew up in (competitive place, no one really cared about her as a person, etc). That being said, as the movies go on, she starts to lose interest (the complete opposite of the OG story). Of course, there wasn't proper time to develop their friendship, but this more "automatized" relationship fits well with the themes of Asuka's character. She herself is an artificial creation, learning to be her (just like Rei VI in the last film). Because of it, their first contact is sillier in nature and only gains more nuance as she develops as a person and he grows.
Even though, in HA, Asuka's feelings were presented in a way that made them look like a typical teen romance, I think it meant so much more to her. Shinji is the first in the movie to treat Asuka as a human first and a pilot second. In flashbacks we see that she was disposable in the eyes of others for most of her life. But Shinji treated her with kindness and friendship. I think it's why his bentōs meant so much to her. It was a gesture of care Shinji had for her. He conects with people via cooking (something Rei was also inspired by).
In the original series I think Asuka liked Shinji because they were very similar. But in films it's the opposite. Asuka liked Shinji because he is different from her and the others. There is a role reversal to the point where Shinji is the one who makes the final confession, something most of the audience expected Asuka to do. From his point of view, these feelings are still much more tangible (14 years ago, not that long ago from his point of view). It's a genuine gesture, unlike EOE (when Shinji did the same because he was literally going crazy, for lack of a better term). As for her part, there is always a deep desire for connection and sharing of pain. At first she sees him as a romantic partner, then as someone who needs protection, a mother. Even after he was gone, she kept thinking about him. Not in the same way, but he marked her. When she finally talks to him and tells him how she felt in the past, it's a huge step for her character, something she wouldn't have done before. And when Shinji does the same, I believe she was surprised at the idea of someone else reciprocating those same feelings for her in the past. To be more precise, I think her reaction comes from the shock of knowing, not that she necessarily still likes him that way. For me, she sees him as a good memory and perhaps a what if. That old friend we all have, I guess.
There's more to it than that, especially when it comes to their origins, but I think this is the bigger picture. I don't see it as "bad" anymore.
A new perspective on Shinji and Asuka's relation in NTE
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A new perspective on Shinji and Asuka's relation in NTE
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Re: A new perspective on Shinji and Asuka's relation in NTE
Well, I don’t really consider Shikinami as the real Asuka, seeing as she’s not the original one. So at that point, I think that Mari is more or less her replacement, one with a more healthier relationship.
I still see Soryu as the only real Asuka in the entire series, or this case, the whole franchise. So probably at some point in the post Third Impact world, I think that Shinji and Asuka may have time to work out their issues and maybe fix themselves in the process before maybe making amends for hurting each other. That of course is up to interpretation.
I still see Soryu as the only real Asuka in the entire series, or this case, the whole franchise. So probably at some point in the post Third Impact world, I think that Shinji and Asuka may have time to work out their issues and maybe fix themselves in the process before maybe making amends for hurting each other. That of course is up to interpretation.
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Re: A new perspective on Shinji and Asuka's relation in NTE
I don't really get why Shikinami would be a "fake Asuka". Soryu is the original character, but Shikinami is Asuka in the new movies. She is just as much Asuka as any other Asuka in any other media. Not to say she's as well written as her original counterpart, but she's an official character.
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Re: A new perspective on Shinji and Asuka's relation in NTE
BernardoCairo wrote:I don't really get why Shikinami would be a "fake Asuka". Soryu is the original character, but Shikinami is Asuka in the new movies. She is just as much Asuka as any other Asuka in any other media. Not to say she's as well written as her original counterpart, but she's an official character.
Well, I guess I couldn’t really get behind that change, like Asuka being a result of a man made lab experiment instead of being a normal human being like everyone else, and how she was in the original series. But that’s just me.
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Re: A new perspective on Shinji and Asuka's relation in NTE
I wish I could find that one article where Asuka's VA talks about how she would consider Rebuild Asuka a tsundere since she does like Shinji, while OG Asuka didn't/ the person she likes was Kaji.
Rebuild Asuka basicaly likes Shinji for the same reason that OG Asuka likes Kaji:
First person to ever be nice to her /show her care, when she had grown up starved for love (not for exactly the same reasons, but... the pilots artificiality in Rebuild basically represents a "tightening" of the predestination. The more Kaworu tried to change things, the more they were engineered to be exactly the same. ) The change serves to ensure that she is the same (hyper-competitive, feeling she has to be 'tough' & not depend on anyone etc. )
Og Asuka is, quintessentially, the person who tells Shinji "No" so he has to learn to deal with rejection (instead of snapping & strangling her & "forcing" a "fusion" via instrumentality like he does in Eoe... and even then she resists hm to the last - "I'd rather die than do it with you")
This is the moment where I once again because while the kitchen scene deconstructs & dissects Shinji's half of the problem ("anyone will do", "you just come to me cause youre scared of everyone else, your using me as a side dish"), the alt live action scene deconstruct Asuka's half of it by showing a reality where Shinji doesn't exist but Asuka's love life still sucks. Toji is interchangeable, he could be replaced by any more assertive male. They don't spend 10 mins talking about a relationship that never happened in the show proper, it's showing the same problems Asuka has in all her relationships: "You are cold hearted get attached easily, but that's just like keeping a dog. You are just ravenous toward each other & there's no warm fuzzy feelings. You are the type that deliberately causes men to misunderstan/ you're USING guys"
Though that's still in EoE proper because in the end... she plops down beside him (as in ep 9), even though she'd "rather die than do it with him" because she's lonely & scared of the dark. She's right that he's her last choice after everyone else fell away, but in ep 15 he was also her (as per "everything you've ever dreamed", "kissed you with a kiss that wasnt true/ it wasnt you at all")
ppl correctly catch that in EoE Shinji has to learn to coexist with Asuka, but that coexisting is coexisting even though she WONT give him what he wants. It's learning to accept rejection and "no". That's when the movie ends when it does, when she calls him disgustingwith a "look of contempt" in the "coldest possible voice" (per the script) because rejection is back in the world.
Rebuild then is an ironic switcheroo/ what if. What if Asuka was the one pining after him through some twist of fate, like meeting him before Kaji.
I think that in the beach scene Shinji is speaking for all versions of them (at this point he knew about the other timelines, they came up in dialogue with both Gendo & Kaworu) - sort of getting an universal closure / acknowledgement there. That's why the beach is directly made to evoke EoE. It's sort of Shinji saying what he should have said last time around.
It was established that Asuka hates others because of what she rejects in herself. Superficiality & facade in Misato, awareness of being a pawn in Rei, and most notably, emotional neediness in Shinji (EoE: "If I just look at you I wanna puke" - "because im just like you?" *footage of both crying for their mothers *, Tv ending: "you are trying to find yourself in others")
He openly shows the needs she represses in herself & sees as "not allowed" because she "cant be weak" so she loathes him for being weak.
Her arc in the last two rebuilds is kind of about recontextualizing that from the POV of an adult woman.
At first she's even more repulsed & angry that he hasn't changed while she had to live in a post apocalyptic hell. ("He's not even an idiot, but a brat")
In the final fight in Q she's even ready to kill him ("just shut up and die stupid brat!") - she wonders what she ever saw in the guy.
But in the end when he's curled into a ball and not resisting, she can't bring herself to kill him or leave him for dead. In part because she thinks dying is too good for him (as she tells Kensuke) but probably also because of some genuine lingering attachment (which Mari repeatedly teases her about)
In the early part of the final movie she starts out being gratuitously cruel to him... or perhaps rather a mix of cruelty & attachment/ "love/hate" perhaps best exemplified by the force feeding scene. She is both legitimately torturing him (force feeding is considered torture - plus its rendered very violently, she basically tells him she wishes he was never a pilot... for someone for whom piloting is their life that's like saying she wishes he was never born), but at the same time kind of saving him/keeping him alive there there. (naive ol Kensuke acknowledges the positive & thanks her. at this point he knows her well enough to see that beneath her bristly exterior)
But she gradually softens a bit, checking on him by the lake. In the end she realizes that her hated rival was just a kid ("he doesn't need a lover but a mother") - and therefore, so did Asuka herself. if its ok & forgiveable for Shinji to just be young & dumb, the same is true of Asuka's own younger self.
Softening her stance on Shinji is directly related to her plot about coming to accept her own nner child (since again she hates him because he reminds her of the needy side the suppresses) - an important step in this process is to admit to her confused, juvenile feelings, even though she knows they were confused & juvenile (she thought she liked him) - but theyre still worth acknowledging & speaking out loud. the closure makes her feel better.
In the Og both were always too guarded to show interest in the other, kind of expecting them to read their mind (EoTV: "youre just expecting others to make you happy - arent you doing the same?"), so the other always felt rejected. no one wanted to blink first, they always looked to keep themselves first.
In the beach scene, Shinji gives her validation... & it's all the more meaningful because at that point there's no chance anymore of it working out & him "gaining" anything from it. The ship's sailed. She grew up first. They're just giving validation simply to give it, to let the other know. It was a silly toxic juvenile thing but it was human, it's worth speaking & getting closure on (& judging from Asuka's visible reaction it did still mean something to her - we can recognize the sillyness of our feelings, but we still feel them.) the sillierthey are, the more bravery it takes to admit.
in the past Asuka always tried so hard to be all grownup & shit in a way that was in itself juvenile but here it's through accepting both her child self & her juvenile self that she finally becomes "unstuck" from the past & comes to truly feel like the grownup she really is (which i have to acknowledge is really kinda beautiful, even if not rly an Asuka person)
Though in the end, he's still not the one to tell her "Asuka is Asuka & that's ok" - he couldn't be. Their incompatibilities remain, and it would destroy some of the message if he got with the person of whom accepting their "no" was once a big plot point. - not even gonna open the can of whether that is to be taken as romantic or platonic because its irrelevant; Either way acceptance is acceptance. And just like Touji in the alt live action scene, Kensuke is basically interchangeable - the point is Asuka herself realizing that some ppl will stay with her & accept her. Even at her ugliest when she who once wanted to be looked at just wanted to hide away from everyone. It's about realizing that some ppl will care for her & fil her emotional needs.
That also includes Mari, who is shows caring & encouraging Asuka throughout the movie, loses her usually unflappable compuse when Asuka gets eaten, and then keeps talking at Shinji about wanting him to please save Asuka. She's also in that scene, telling Asuka to "take care of herself" (same line from ep 26) just like she showed care for Asuka throughout the movie.
But Shinji (and Misato!) couldn't be the one to do it, just like Gendo couldn't be a parent for Rei, not even in a "better world". Rei's need for a family that Gendo culd never fill is also fulfilled through an all new connection, by the Suzuhara family, Hikari, Touji & Tsubame. kaworu receives an extra helping figure in Kaji. And even now Shinji can't save everyone & has to accept Misato's loss. (which Gendo remarks upon.)
This way you don't destroy the point in the OG that Shinji couldn't have saved everyone on his own & overly blamed himself for everything bad. (but also the explicit point in ep 25 that things could have turned out differently had he been less passive) Though it makes all the sense that Shinji's happy ending/ redemption is to save at least some of his friends. What broke him in the last few episodes of the series was being unable to / feeling ill-equipped to help his various friends.
- indeed Shinji, too, needs to be saved in the end. His parents take the lance for him & Mari comes to retrieve him. (on Misato's orders)
I appreciate how they were really careful not to turn it into some easy fakeass wish fulfillment fantasy. This is also exemplified by how Shinji puts on a brave face for Rei ("dont worry, Mari will come get me...") but doesn't actually wait for Mari & goes to speak himself. And when Mari actually shows up, he's shocked. He didn't actually believe he could redeem himself (enough for WILLE to send someone to save him) until the moment the scenery changes to the train station.
I believe this is actually the exact same station where he was ditched as a kid in the famous flashback picture. Just like everyone emerged at a sentimentally significant place - Asuka at Kensuke's house, Rei (though we dont see it) no doubt popped up at the Suzuhara residence.
Shinji "getting off the train" here symbolizes that he's truly, wholly over that memory, leaving this place behind, coming from it to actual reality, seeing it perhaps clearer than ever before (art style shifting to realistic in the end as Shinji & Mari go back to reality). He stopped beng stuck in that picture of himself as a kid & the narrative he constructed around it how it meant he was worthless etc.
Rebuild Asuka basicaly likes Shinji for the same reason that OG Asuka likes Kaji:
"The bento was good so I thought I liked you"
First person to ever be nice to her /show her care, when she had grown up starved for love (not for exactly the same reasons, but... the pilots artificiality in Rebuild basically represents a "tightening" of the predestination. The more Kaworu tried to change things, the more they were engineered to be exactly the same. ) The change serves to ensure that she is the same (hyper-competitive, feeling she has to be 'tough' & not depend on anyone etc. )
Og Asuka is, quintessentially, the person who tells Shinji "No" so he has to learn to deal with rejection (instead of snapping & strangling her & "forcing" a "fusion" via instrumentality like he does in Eoe... and even then she resists hm to the last - "I'd rather die than do it with you")
This is the moment where I once again because while the kitchen scene deconstructs & dissects Shinji's half of the problem ("anyone will do", "you just come to me cause youre scared of everyone else, your using me as a side dish"), the alt live action scene deconstruct Asuka's half of it by showing a reality where Shinji doesn't exist but Asuka's love life still sucks. Toji is interchangeable, he could be replaced by any more assertive male. They don't spend 10 mins talking about a relationship that never happened in the show proper, it's showing the same problems Asuka has in all her relationships: "You are cold hearted get attached easily, but that's just like keeping a dog. You are just ravenous toward each other & there's no warm fuzzy feelings. You are the type that deliberately causes men to misunderstan/ you're USING guys"
Though that's still in EoE proper because in the end... she plops down beside him (as in ep 9), even though she'd "rather die than do it with him" because she's lonely & scared of the dark. She's right that he's her last choice after everyone else fell away, but in ep 15 he was also her (as per "everything you've ever dreamed", "kissed you with a kiss that wasnt true/ it wasnt you at all")
ppl correctly catch that in EoE Shinji has to learn to coexist with Asuka, but that coexisting is coexisting even though she WONT give him what he wants. It's learning to accept rejection and "no". That's when the movie ends when it does, when she calls him disgustingwith a "look of contempt" in the "coldest possible voice" (per the script) because rejection is back in the world.
Rebuild then is an ironic switcheroo/ what if. What if Asuka was the one pining after him through some twist of fate, like meeting him before Kaji.
I think that in the beach scene Shinji is speaking for all versions of them (at this point he knew about the other timelines, they came up in dialogue with both Gendo & Kaworu) - sort of getting an universal closure / acknowledgement there. That's why the beach is directly made to evoke EoE. It's sort of Shinji saying what he should have said last time around.
It was established that Asuka hates others because of what she rejects in herself. Superficiality & facade in Misato, awareness of being a pawn in Rei, and most notably, emotional neediness in Shinji (EoE: "If I just look at you I wanna puke" - "because im just like you?" *footage of both crying for their mothers *, Tv ending: "you are trying to find yourself in others")
He openly shows the needs she represses in herself & sees as "not allowed" because she "cant be weak" so she loathes him for being weak.
Her arc in the last two rebuilds is kind of about recontextualizing that from the POV of an adult woman.
At first she's even more repulsed & angry that he hasn't changed while she had to live in a post apocalyptic hell. ("He's not even an idiot, but a brat")
In the final fight in Q she's even ready to kill him ("just shut up and die stupid brat!") - she wonders what she ever saw in the guy.
But in the end when he's curled into a ball and not resisting, she can't bring herself to kill him or leave him for dead. In part because she thinks dying is too good for him (as she tells Kensuke) but probably also because of some genuine lingering attachment (which Mari repeatedly teases her about)
In the early part of the final movie she starts out being gratuitously cruel to him... or perhaps rather a mix of cruelty & attachment/ "love/hate" perhaps best exemplified by the force feeding scene. She is both legitimately torturing him (force feeding is considered torture - plus its rendered very violently, she basically tells him she wishes he was never a pilot... for someone for whom piloting is their life that's like saying she wishes he was never born), but at the same time kind of saving him/keeping him alive there there. (naive ol Kensuke acknowledges the positive & thanks her. at this point he knows her well enough to see that beneath her bristly exterior)
But she gradually softens a bit, checking on him by the lake. In the end she realizes that her hated rival was just a kid ("he doesn't need a lover but a mother") - and therefore, so did Asuka herself. if its ok & forgiveable for Shinji to just be young & dumb, the same is true of Asuka's own younger self.
Softening her stance on Shinji is directly related to her plot about coming to accept her own nner child (since again she hates him because he reminds her of the needy side the suppresses) - an important step in this process is to admit to her confused, juvenile feelings, even though she knows they were confused & juvenile (she thought she liked him) - but theyre still worth acknowledging & speaking out loud. the closure makes her feel better.
In the Og both were always too guarded to show interest in the other, kind of expecting them to read their mind (EoTV: "youre just expecting others to make you happy - arent you doing the same?"), so the other always felt rejected. no one wanted to blink first, they always looked to keep themselves first.
In the beach scene, Shinji gives her validation... & it's all the more meaningful because at that point there's no chance anymore of it working out & him "gaining" anything from it. The ship's sailed. She grew up first. They're just giving validation simply to give it, to let the other know. It was a silly toxic juvenile thing but it was human, it's worth speaking & getting closure on (& judging from Asuka's visible reaction it did still mean something to her - we can recognize the sillyness of our feelings, but we still feel them.) the sillierthey are, the more bravery it takes to admit.
in the past Asuka always tried so hard to be all grownup & shit in a way that was in itself juvenile but here it's through accepting both her child self & her juvenile self that she finally becomes "unstuck" from the past & comes to truly feel like the grownup she really is (which i have to acknowledge is really kinda beautiful, even if not rly an Asuka person)
Though in the end, he's still not the one to tell her "Asuka is Asuka & that's ok" - he couldn't be. Their incompatibilities remain, and it would destroy some of the message if he got with the person of whom accepting their "no" was once a big plot point. - not even gonna open the can of whether that is to be taken as romantic or platonic because its irrelevant; Either way acceptance is acceptance. And just like Touji in the alt live action scene, Kensuke is basically interchangeable - the point is Asuka herself realizing that some ppl will stay with her & accept her. Even at her ugliest when she who once wanted to be looked at just wanted to hide away from everyone. It's about realizing that some ppl will care for her & fil her emotional needs.
That also includes Mari, who is shows caring & encouraging Asuka throughout the movie, loses her usually unflappable compuse when Asuka gets eaten, and then keeps talking at Shinji about wanting him to please save Asuka. She's also in that scene, telling Asuka to "take care of herself" (same line from ep 26) just like she showed care for Asuka throughout the movie.
But Shinji (and Misato!) couldn't be the one to do it, just like Gendo couldn't be a parent for Rei, not even in a "better world". Rei's need for a family that Gendo culd never fill is also fulfilled through an all new connection, by the Suzuhara family, Hikari, Touji & Tsubame. kaworu receives an extra helping figure in Kaji. And even now Shinji can't save everyone & has to accept Misato's loss. (which Gendo remarks upon.)
This way you don't destroy the point in the OG that Shinji couldn't have saved everyone on his own & overly blamed himself for everything bad. (but also the explicit point in ep 25 that things could have turned out differently had he been less passive) Though it makes all the sense that Shinji's happy ending/ redemption is to save at least some of his friends. What broke him in the last few episodes of the series was being unable to / feeling ill-equipped to help his various friends.
- indeed Shinji, too, needs to be saved in the end. His parents take the lance for him & Mari comes to retrieve him. (on Misato's orders)
I appreciate how they were really careful not to turn it into some easy fakeass wish fulfillment fantasy. This is also exemplified by how Shinji puts on a brave face for Rei ("dont worry, Mari will come get me...") but doesn't actually wait for Mari & goes to speak himself. And when Mari actually shows up, he's shocked. He didn't actually believe he could redeem himself (enough for WILLE to send someone to save him) until the moment the scenery changes to the train station.
I believe this is actually the exact same station where he was ditched as a kid in the famous flashback picture. Just like everyone emerged at a sentimentally significant place - Asuka at Kensuke's house, Rei (though we dont see it) no doubt popped up at the Suzuhara residence.
Shinji "getting off the train" here symbolizes that he's truly, wholly over that memory, leaving this place behind, coming from it to actual reality, seeing it perhaps clearer than ever before (art style shifting to realistic in the end as Shinji & Mari go back to reality). He stopped beng stuck in that picture of himself as a kid & the narrative he constructed around it how it meant he was worthless etc.
I wanted to try harvesting the rice
I wanted to hold Tsubame more
I wanted to stay together forever with the boy I like
I wanted to hold Tsubame more
I wanted to stay together forever with the boy I like
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Re: A new perspective on Shinji and Asuka's relation in NTE
Two things
1. This quote was taken before the 4th Rebuild came out, Miyamura became much more supportive of Asuka/Shinji pairing since then, and
2. Miyamura isn't the writer, Anno is.
It's also obvious that OG Asuka liked Shinji when you look at the director's cut of episode 22. If Asuka didn't like Shinji and want affection from him, i.e. if he were actually interchangeable, then his perceived rejection of her advances would not have hurt her like it did.
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Re: A new perspective on Shinji and Asuka's relation in NTE
Asunji_Yuko wrote:It's also obvious that OG Asuka liked Shinji when you look at the director's cut of episode 22.
Yes. But it's a more real kind of "love". She likes him, but she also has a one-sided rivalry with him. And she also hates the parts of him that remind her of herself. So it's a relationship that's more reminiscent of real life (confusing, nebulous, imperfect). In NTE, they have a more "anime-like" romance going on. You know, with Asuka starting to like Shinji really quickly and with everything becoming more idealized and less grounded. So in this sense I can understand Miyamura's statement.
It's impossible to say that Asuka didn't like Shinji in any way in the original story though. Or that she actually liked Kaji.
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Re: A new perspective on Shinji and Asuka's relation in NTE
I think Asuka's character really did outgrow herself in the course of production of NGE. In the Proposal stage, Asuka did seem like Shinji's love interest, but there was no clear indication that Rei wouldn't be just as pronounced in that regard. One could be forgiven for Shinji would end up with Rei by the end of ep 6, and then Anno "forgets about Rei", and she barely does anything for a bunch of episodes, even though Rei's whole character arc in the series in just as fantastic and well developed. Tsurumaki mentioned Misato as being the actual deutaragonist in the EoE booklet interview and that was probably their initial intention. Then we have Anno taking a big liking towards Asuka over time, and I get the feeling this was so significant he ended up further developing her and givin her a larger role, especially for EoE. The DC episodes themselves are a good example of this. Before their additions, you could still make a reasonable argument that Asuka wasn't *that* into Shinji, but after the much expanded mental attack sequences? Yeah, she likes him alright. Then of course we have EoE itself.
NTE is an extension of that, of course.
(I can point out to all the specific interviews later if anyone is so interested. No time right now.)
NTE is an extension of that, of course.
(I can point out to all the specific interviews later if anyone is so interested. No time right now.)
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Re: A new perspective on Shinji and Asuka's relation in NTE
I think we simply don't have enough of information about Asuka's true feelings in Shin. She has very limited exposure, and those moments are so subtle that one can basically imagine anything.
Unpopular opinion, but I think in The Minus-Sapce Asuka scene, Shinji was the one wearing Kensuke's doll, like a costume, because it was later shown at the studio with Rei scene (evangelions there were hanging off the wall, unzipped like literal costumes, as to make a tokusatsu movie, and with ships as models). I think that, because in the Minus-Space, whenever people speak to one another, it's not some visions or illusion, but actual people or their souls in the minus space. And because Kensuke could not be there, Shinji took his place, because he needed to remind Asuka about a place where she can belong. Asuka never sees Kensuke's shack in her memories, but she does see Shinji's room, and an aquarium, and that tells me that she might have been more attached to Shinji, than to Kensuke. He also says same words to Asuka in Japanese that he said to Rei Lookalike "Asuka wa Asuka da", and calls her Asuka, which Kensuke never did, he only called her Shikinami. But that's up for interpretation.
In my opinion, Shinji did it, to break their bond, to get her out of the minus space, and save her, before he could commit seppuku with a spear. And that fits theme of the movie, because no one in the Rebuilds can save themselves, there is always someone else that does it. So if Asuka would just came to realization about Kensuke on her own, that would contradict the whole message. And Shinji had to do it.
Now, to the point of Shinji and Asuka's relationships, They never were a thing in Rebuilds, and they never actually tried to connect in a meaningful way as a couple. Yes, they were romantically interested in one another (although we never really see that coming from Shinji in Rebuilds) and yes that is in the past, and they needed to close the page. But effectively they never actually dated or had proper relationships. And that is also the case in NGE. They never dated properly. And when Shinji comes back to reality, I don't see why they can't try and start with knowing each other better, and then who knows, being friends and\or lovers is a possibility. Especially now, when they left all their traumas behind them. Now they have more chance than ever, in my opinion.
I'm saying this because of people that I know in real life. I have friends who had terrible problems in relationships and were on the brink of divorce, but worked on their issues, and stayed together and are happy now.
I knew a couple who got divorced and was separated for more than a decade, but then got together again, and are now happy.
When you have problems in relationships, breaking up, and ending it all is not the only option, and sometimes not even the best one. If Shinji and Asuka in the end of Shin, left their juvenile selves in the past, and are adults in both minds and bodies, they have more in common than ever before. I'm wondering how this new Asuka and Shinji will see each other when they meet again. They will be different people in many ways, and that opens up a lot of possibilities. including Kensuke's and Shinji's rivalry over Asuka. She also might not be interested in any of them romantically at all. All I want to say is, we can imagine all of those things without a problem, because Shin leaves us enough room to do that.
Unpopular opinion, but I think in The Minus-Sapce Asuka scene, Shinji was the one wearing Kensuke's doll, like a costume, because it was later shown at the studio with Rei scene (evangelions there were hanging off the wall, unzipped like literal costumes, as to make a tokusatsu movie, and with ships as models). I think that, because in the Minus-Space, whenever people speak to one another, it's not some visions or illusion, but actual people or their souls in the minus space. And because Kensuke could not be there, Shinji took his place, because he needed to remind Asuka about a place where she can belong. Asuka never sees Kensuke's shack in her memories, but she does see Shinji's room, and an aquarium, and that tells me that she might have been more attached to Shinji, than to Kensuke. He also says same words to Asuka in Japanese that he said to Rei Lookalike "Asuka wa Asuka da", and calls her Asuka, which Kensuke never did, he only called her Shikinami. But that's up for interpretation.
In my opinion, Shinji did it, to break their bond, to get her out of the minus space, and save her, before he could commit seppuku with a spear. And that fits theme of the movie, because no one in the Rebuilds can save themselves, there is always someone else that does it. So if Asuka would just came to realization about Kensuke on her own, that would contradict the whole message. And Shinji had to do it.
Now, to the point of Shinji and Asuka's relationships, They never were a thing in Rebuilds, and they never actually tried to connect in a meaningful way as a couple. Yes, they were romantically interested in one another (although we never really see that coming from Shinji in Rebuilds) and yes that is in the past, and they needed to close the page. But effectively they never actually dated or had proper relationships. And that is also the case in NGE. They never dated properly. And when Shinji comes back to reality, I don't see why they can't try and start with knowing each other better, and then who knows, being friends and\or lovers is a possibility. Especially now, when they left all their traumas behind them. Now they have more chance than ever, in my opinion.
I'm saying this because of people that I know in real life. I have friends who had terrible problems in relationships and were on the brink of divorce, but worked on their issues, and stayed together and are happy now.
I knew a couple who got divorced and was separated for more than a decade, but then got together again, and are now happy.
When you have problems in relationships, breaking up, and ending it all is not the only option, and sometimes not even the best one. If Shinji and Asuka in the end of Shin, left their juvenile selves in the past, and are adults in both minds and bodies, they have more in common than ever before. I'm wondering how this new Asuka and Shinji will see each other when they meet again. They will be different people in many ways, and that opens up a lot of possibilities. including Kensuke's and Shinji's rivalry over Asuka. She also might not be interested in any of them romantically at all. All I want to say is, we can imagine all of those things without a problem, because Shin leaves us enough room to do that.
Re: A new perspective on Shinji and Asuka's relation in NTE
From my perspective, the rebuild tells a story about a relationship that did not work out despite strong feelings between each other. It's the typical unrequited love scenario, or Romeo and Juliet where it's a doomed romance due to circumstance.
I recently found an article on how Anno was a bit of a simp for a VA (https://www.cbr.com/evangelion-hideaki- ... irst-love/). It just goes to show a type of crush that is not realistic in terms of an actual relationship.
I recently found an article on how Anno was a bit of a simp for a VA (https://www.cbr.com/evangelion-hideaki- ... irst-love/). It just goes to show a type of crush that is not realistic in terms of an actual relationship.
"Everything is permissible, but not everything is beneficial. Everything is permissible but not everything is constructive." - 1 Corinthians 10:23
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