Komm, Susser Tod - Who is Arianne?
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Comments are disabled. Great. Evafans can't go five seconds without making needless shitstorms. Especially youtube ones.
Utena figures out why the duelists are dueling but what the hell kind of answers does she get? "Because I want to find the power of miracles, I'm going to chop bitches with a sword so I can get a creepy aspie girlfriend who waters roses and shit. which will grant me the power of miracles. I KNOW THIS GODDAMNIT DON'T ASK HOW" -Azathoth
- Jayfive
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*sigh*
Its not as if its something official, its just a essential a fan-video.
Its not as if its *that* bad to get angry about. Its not terrible but neither if its great.
Most of the grief was probably from trolls rather than youre average evafan as I suspect they would be pretty 'meh' about the whole thing.
Its like (but not quite as bad) as when Amanda Winn Lee was driven off here in a matter of hours by people being weapons grade numpties.
Its not as if its something official, its just a essential a fan-video.
Its not as if its *that* bad to get angry about. Its not terrible but neither if its great.
Most of the grief was probably from trolls rather than youre average evafan as I suspect they would be pretty 'meh' about the whole thing.
Its like (but not quite as bad) as when Amanda Winn Lee was driven off here in a matter of hours by people being weapons grade numpties.
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It's the whole "MY BEAUTIFUL EVANGELION IS RUINED FOREVER IT DOESN'T SOUND LIKE THE ORIGINAL WAAAHHHH" thing that's making them so mad. Rebuild hate is usually like this, too.
Utena figures out why the duelists are dueling but what the hell kind of answers does she get? "Because I want to find the power of miracles, I'm going to chop bitches with a sword so I can get a creepy aspie girlfriend who waters roses and shit. which will grant me the power of miracles. I KNOW THIS GODDAMNIT DON'T ASK HOW" -Azathoth
- Seele00TextOnly
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No, it's the "remix isn't great and video much less so" thing that's making them mad. Now, they don't really have any reason to be mad -- the impact on the franchise is about nil and it doesn't affect anyone who doesn't care to seek it out -- and they're expressing their criticism extremely poorly, but those are separate issues. Being dicks about it doesn't mean people dislike the new versions just because they're new.
Rebuild hate is usually like this, too.
. . . the hell does that have to do with anything?
For my post-3I fic, go here.
The law doesn't protect people. People protect the law. -- Akane Tsunemori, Psycho-Pass
People's deaths are to be mourned. The ability to save people should be celebrated. Life itself should be exalted. -- Volken Macmani, Tatakau Shisho: The Book of Bantorra
I hate myself. But maybe I can learn to love myself. Maybe it's okay for me to be here! That's right! I'm me, nothing more, nothing less! I'm me. I want to be me! I want to be here! And it's okay for me to be here! -- Shinji Ikari, Neon Genesis Evangelion
Yes, I know. You thought it would be something about Asuka. You're such idiots.
The law doesn't protect people. People protect the law. -- Akane Tsunemori, Psycho-Pass
People's deaths are to be mourned. The ability to save people should be celebrated. Life itself should be exalted. -- Volken Macmani, Tatakau Shisho: The Book of Bantorra
I hate myself. But maybe I can learn to love myself. Maybe it's okay for me to be here! That's right! I'm me, nothing more, nothing less! I'm me. I want to be me! I want to be here! And it's okay for me to be here! -- Shinji Ikari, Neon Genesis Evangelion
Yes, I know. You thought it would be something about Asuka. You're such idiots.
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Bagheera wrote:No, it's the "remix isn't great and video much less so" thing that's making them mad. Now, they don't really have any reason to be mad -- the impact on the franchise is about nil and it doesn't affect anyone who doesn't care to seek it out -- and they're expressing their criticism extremely poorly, but those are separate issues. Being dicks about it doesn't mean people dislike the new versions just because they're new.
It's the case for a lot of them. You've seen the "original is always better" argument, right? Plenty of fans for every series have this mindset. I'm not saying that's how it is for every fan, but for many of them it is. The wording "this is the worst remix ever" is a bit over exaggerated.
A good portion of the rebuild hatred is based on the "original is being disgraced / is always better." Not ALL of it, obviously, but you can't deny that it's there.
Utena figures out why the duelists are dueling but what the hell kind of answers does she get? "Because I want to find the power of miracles, I'm going to chop bitches with a sword so I can get a creepy aspie girlfriend who waters roses and shit. which will grant me the power of miracles. I KNOW THIS GODDAMNIT DON'T ASK HOW" -Azathoth
Seen wrote:It's the case for a lot of them. You've seen the "original is always better" argument, right? Plenty of fans for every series have this mindset. I'm not saying that's how it is for every fan, but for many of them it is. The wording "this is the worst remix ever" is a bit over exaggerated.
I've seen precious little of that around here, though. Most of the criticisms here have been pretty articulate.
A good portion of the rebuild hatred is based on the "original is being disgraced / is always better." Not ALL of it, obviously, but you can't deny that it's there.
I'm not. I just don't see how it's even remotely relevant here, since this has nothing whatsoever to do with the new movies.
For my post-3I fic, go here.
The law doesn't protect people. People protect the law. -- Akane Tsunemori, Psycho-Pass
People's deaths are to be mourned. The ability to save people should be celebrated. Life itself should be exalted. -- Volken Macmani, Tatakau Shisho: The Book of Bantorra
I hate myself. But maybe I can learn to love myself. Maybe it's okay for me to be here! That's right! I'm me, nothing more, nothing less! I'm me. I want to be me! I want to be here! And it's okay for me to be here! -- Shinji Ikari, Neon Genesis Evangelion
Yes, I know. You thought it would be something about Asuka. You're such idiots.
The law doesn't protect people. People protect the law. -- Akane Tsunemori, Psycho-Pass
People's deaths are to be mourned. The ability to save people should be celebrated. Life itself should be exalted. -- Volken Macmani, Tatakau Shisho: The Book of Bantorra
I hate myself. But maybe I can learn to love myself. Maybe it's okay for me to be here! That's right! I'm me, nothing more, nothing less! I'm me. I want to be me! I want to be here! And it's okay for me to be here! -- Shinji Ikari, Neon Genesis Evangelion
Yes, I know. You thought it would be something about Asuka. You're such idiots.
- robersora
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Ok, so Arianne's back to Evangelion. She seems to have liked the slap that she got for her iteration of "Komm, süßer Tod 2".
http://www.facebook.com/arianne.schreiber
"evangelion fans get ready to start pledging and telling me what you want me to do......i am creating exciting pledge packages.....possibilities for being in the video with me etc etc.....get ready!!"
http://www.facebook.com/arianne.schreiber
"evangelion fans get ready to start pledging and telling me what you want me to do......i am creating exciting pledge packages.....possibilities for being in the video with me etc etc.....get ready!!"
2Q||3.33 _ 神殺しを行う
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think somebody had already shown her a link on youtube or something iirc. her voice sounds different now - prolly coz of age and stuff but i can pretty much picture her in my head singing the song.
hoping for a better version though coz the dubstep one was... at least for me
only mankind would be foolish enough to harness the engine of it's own destruction
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Arianne!
Today is Arianne's birthday! Be sure to send her your best.
Here is the link to her Facebook profile for quick reference (although, I'm sure you already have it!): https://www.facebook.com/arianne.schreiber
Cheers.
Here is the link to her Facebook profile for quick reference (although, I'm sure you already have it!): https://www.facebook.com/arianne.schreiber
Cheers.
Yaaay!
- Tumbling Down
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I am bad at thread hunting.
http://forum.evageeks.org/thread/16531/Arianne-sings-Komm-Susser-Todd-again/
Anyway, I actually like the new version.. as a cover. The thought of it being "the new version" is kinda sad.
Her dancing is also, as I said, pretty campy. Either she doesn't take Evangelion seriously or she just isn't a very good actress-dancer.
http://forum.evageeks.org/thread/16531/Arianne-sings-Komm-Susser-Todd-again/
Anyway, I actually like the new version.. as a cover. The thought of it being "the new version" is kinda sad.
Her dancing is also, as I said, pretty campy. Either she doesn't take Evangelion seriously or she just isn't a very good actress-dancer.
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Re: Komm, Susser Tod - Who is Arianne?
I've found an interview on the Italian fansite Distopia Evangelion with Arianne!
http://distopia.altervista.org/2016/11/ ... a-arianne/
http://distopia.altervista.org/2016/11/ ... a-arianne/
Each Evangelion true fan knows the wonderful song Komm, süßer Tod, but few know the artist who performed this song…
We’re talking about Arianne Schreiber, simply known as Arianne!
Born in South Africa, Arianne moved to the U.K. when she was 19. Besides Komm, süßer Tod she sang another beautiful song for “The End of Evangelion”, Everything You’ve Ever Dreamed, but this song was then left out from the final version of the movie. Both songs were composed by Shiro Sagisu and the original lyrics were written by Hideaki Anno himself, and then translated into English by Mike Wyzgowski.
Apart from those things, people don’t know very much about her. But we at Distopia Evangelion have been able to get an exclusive interview with her, where she talks about herself, her music and her experience with “The End of Evangelion”.
Let’s find out together who this multifaceted artist is…
Hello, Arianne, could you give us some information about you? Until a few years ago it wasn’t possible to trace anything about you and your career, except for a post on EvaGeeks forum.
I am a singer, dancer and actress. I have sung with George Michael, Alabama 3, Schwein, KMFDN, Stylophonic, Crookers and many others, even appearing on Italian MTV channel. I have spent much time touring and recording in Italy and throughout Europe. Now I live in Australia, I teach aerial yoga, I am a vegan chef as well as a burlesque artist, and still writing and recording for Smash The Box.
How did you get in touch with “The End of Evangelion” production, therefore with Shiro Sagisu?
I was introduced by a famous songwriter called Rob Davis.
Did you already know the series? Who is your favourite character?
I didn’t know the series so it was a great revelation. I’m not sure who my favourite character is…
Everything You’ve Ever Dreamed and Komm, süßer Tod are two magnificent songs, an ode of love and a prayer of death, respectively. Hideaki Anno’s original lyrics are really soaked with pessimism compared to the final versions. Can you remember your feelings and vibes while you were reading the lyrics or performing the songs? Which one do you prefer between the two songs? Which did you prefer to perform?
I love both songs. I remember being very excited to be in Japan and to be recording in a few different amazing studios with such talented people. It was really an honor.
In your opinion, why did they use a song rather than the other at the end of the movie?
Komm, süsser Tod is the perfect mix of bittersweet. It conveys sadness but the music contrasts with the lyrics… this juxtaposition makes it perfect for such a dramatic end.
You sing in two bands, iCON and Smash the Box. Could you tell us about them?
iCon is produced by Mike Chapman (producer of Blondie, Tina Turner, Suzie Quatro) and is more rock’n’roll based; Smash The Box is a fusion of dance and analogue synths, it covers all topics from sex to spirituality and I make it with my producer Marc Dolley who lives in the U.K. We do a lot of stuff online but also travel to meet to work in the studio together. I’m excited as this project is coming along really well and should be available soon.
In 2012, with your project Smash The Box, you recorded a new version of Komm, süßer Tod. Was it a tribute to your fans and those of the series?
It was a tribute to my fans.
What do you think about “Rebuild of Evangelion”? Do you think it was really necessary?
All creativity is necessary.
Is there any chance to see you involved in the forthcoming last chapter of “Evangelion: New Theatrical Edition”?
I wish I had… I did try, but it wasn’t easy to get in touch.
Marco “C’est Disco” Gargiulo
Translation by Luca Moretti and Sara Porello
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