
https://twitter.com/mikediva/status/797745735148007424
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That's not being racist, that's being realistic.
Same reason the Attack on Titan live action movie had Japanese actors despite being set in a fictional historical Germany.
GITS on the other hand has been marketed well
,and seems to be a well-made movie
I don't give a toss about race. I don't care if it's a white, Asian or whatever actress playing the Major. What I care about is that she suits the role and looks like the character. And Scarlett definitely does.
Just because it's correct doesnt mean it's right.
In Japan. THERE ARE NO WHITE PEOPLE TO CAST. That's not the case in America!
That's debateable.
If they can fix the CGI in post. Because right now it looks really poor and green-screeny.
If it takes place in Asia, and is about an Asian person. It only makes sense to cast an ASIAN person! If the role is for an Asian and you're not Asian, you shouldn't get the role because it doesn't suit you!
She doesn't look like the Major. Because it's impossible for a real life person to look like an anime one. the fact that they're bending and butchering the source material just to justify casting a marketable white actress is just wrong.
But whatever. I concede. Can't win against fools.
gitswiki wrote: Batou and Togusa test eight potential new recruits for Section 9. Each man is paired off to create four different teams, and each team is tasked with tracking the Major; however, the Major proves to be a difficult target to track, and eventually she loses all four teams attempting to track her.
The original film doesn’t just examine the next stage of evolution – the one we can easily get our heads around – it looks beyond the curve of the horizon to the stage beyond that, to the unsettling, darkling reality of our own fusion with technology. Meanwhile, the Hollywood remake appears to be looking in the opposite direction.
Ray wrote:This article from the guardian discusses the changes from the source material. And how it seems the American adaptation isn't going to push any boundaries.
https://www.theguardian.com/film/filmbl ... -johansson
“We’re not doing Puppetmaster. It’s not Laughing Man. It involves Kuze. The Kuze story. The big thing we are doing here is that we’re not necessarily doing an origins backstory, but we are addressing her sense of self and resolving how she defines herself in terms of memories. That’s one of the main thrusts in the story. Inspired by that episode of Affection in Second Gig. It’s bits and pieces of those mixed together.”
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