vinicius0712 wrote:Is this new camrip full movie wih subs?

so, who I must pm to get to see it?

I want it too!

June wrote:The woman that looks like Mari in the picture with Yui holding Shinji is definitely not Mari. She resembles her but from what I can see her face is structured differently. She's most likely Mari's mother, Mari/Shinji childhood friends or at least family friends most likely theory.

I dunno, she looked an AWFUL lot like her.

Also, how about that scene where they were dipping winged Yui into the damn core??! Makes her decision seem a LOT more deliberate than just disappearing inside an entry plug.

Why the wings anyway?! (Image below)

vinicius0712 wrote:Is this new camrip full movie wih subs?

If so, who I must pm to get to see it?

Also looking for it, I've already got it without subs and watched it all the way through...subs would make it orgasmic though!

Spifcakes wrote:Also looking for it, I've already got it without subs and watched it all the way through...subs would make it orgasmic though!

Google "nyaa" and search for 3.0

This will sound weird But some how my media player doesn't accept MP4

General reminder: Take discussion to devoted threads when appropriate.

Nuclear Lunchbox wrote:Nothing appears to be missing.

The red-tinted shot of Shinji "stirring awake" that was in trailers and in the movie book is not present in the camrip. I suspect this is the first thing that's seen after the opening scene. Clearly at least a little footage is missing from the latest camrip.

EDIT: After aligning the preview and camrip video the full audio rip in Premiere, I've determined that we have about two seconds of sound unaccompanied by visuals.

It probably wouldn't be a bad idea for camrip screenshots to be cropped and resized to something more appropriate. They really don't need to be as big as people have been posting them.

I wonder how they took those screenshots, the camrip's native resolution seems to be 640x360.

Hyper Shinchan wrote:I wonder how they took those screenshots, the camrip's native resolution seems to be 640x360.

Expanded the movie player to fill their screen, then used a general screen capture widget (as opposed to a screen capture widget native to the movie player)?

Reichu wrote:EDIT: After aligning the preview and camrip video the full audio rip in Premiere, I've determined that we have about two seconds of sound unaccompanied by visuals.

Oh. My. God. I knew it! those 2 seconds explain everything!!

At around 1:12:00 of the camrip, you can see the failed Infinity Series being stirred by the nascent Impact.

thegrove wrote:At around 1:12:00 of the camrip, you can see the failed Infinity Series being stirred by the nascent Impact.

"Being stirred" in the same way a wind stirs leaves.

("Infinity Series"? Making up terminology, now?)

wait theres a full movie camrip now? can i see it

UBERGEEKZILLA wrote:can i see it

No.

Noticed that a lot of the youtube clips of the cam-ripped 3.0 have been blocked by Khara.
Honestly I don't mind at this point, since I've already seen the movie 10 times. I'm still going to buy it when it comes out on Blu-Ray.

If that's on English Youtube, it could possibly be a good sign....

Reichu wrote:The red-tinted shot of Shinji "stirring awake" that was in trailers and in the movie book is not present in the camrip. I suspect this is the first thing that's seen after the opening scene. Clearly at least a little footage is missing from the latest camrip.

EDIT: After aligning the preview and camrip video the full audio rip in Premiere, I've determined that we have about two seconds of sound unaccompanied by visuals.

Did some snooping. In the 11/1/12 trailer, the very first shot was of Shinji waking up; this was the missing footage.

I am fairly new to camrips so pardon the idiocy of these questions but, what was up with all of the "mysterious black shapes" obstructing the screen? I swear that if I had not read synopses of the film, the second half – and every fight for that matter – would have simply appeared as a Jackson Pollock painting. The potential that this narrative direction is immense but the reception of anything substantial within is disastrously hindered.

Are you talking about the silhouettes of the other people in the theatre?