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“I purposely try to keep my own storyboards from being too complete,” [Anno] explains. “I just put in the essential points of what will be interesting, and the direction from their changes depending on the individual who handles the next step. My part is to provide the raw materials.”
“I want to leave some space in my storyboards to let them become more interesting. I want the anime to change like a living thing…[and] to keep searching, as much as possible, for a more interesting way to handle it.”
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