Shin Eva - Official Social Media

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Postby The Cruel » Thu Jun 07, 2018 4:48 am

View Original PostJoseki wrote:


Yet some more nothing, apart from the "S" cut that I think has no deeper meaning.


The letters A to D are shown on the spreadsheet. Are these referred to the sections on which FINAL is built, like the previous films? And maybe the missing D part from 3.0 'll be reused as part A.
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Postby TMBounty_Hunter » Thu Jun 07, 2018 9:35 am

View Original PostThe Cruel wrote:The letters A to D are shown on the spreadsheet. Are these referred to the sections on which FINAL is built, like the previous films? And maybe the missing D part from 3.0 'll be reused as part A.


Those ABCD aren't the movie parts. This is a sheet for a specific cut (scene) and the ABCD are layers of the image (the column is actually labeled genga), which you often have multiple of. In the good old days these would be different animation cels, now it's just images in a computer and the other columns also give you space for dpi and offsets, so that the image layers are aligned correctly.
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Postby The Cruel » Thu Jun 07, 2018 9:42 am

View Original PostTMBounty_Hunter wrote:Those ABCD aren't the movie parts. This is a sheet for a specific cut (scene) and the ABCD are layers of the image (the column is actually labeled genga), which you often have multiple of. In the good old days these would be different animation cels, now it's just images in a computer and the other columns also give you space for dpi and offsets, so that the image layers are aligned correctly.


So it's meant to work on a certain scene, then there 'll be more to look for. I hope I got it.
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Postby riffraff11235 » Thu Jun 07, 2018 9:10 pm

View Original PostJoseki wrote:


Just seeing the movie logo on official production paperwork gives me a warm fuzzy feeling.... :asuka_happy:
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Postby kuribo-04 » Fri Jun 08, 2018 8:44 am

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Postby The Eva Monkey » Wed Jun 13, 2018 10:56 am

Can we definitively rule this out as having anything to do with Evangelion?

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Postby DarkBluePhoenix » Wed Jun 13, 2018 11:16 am

Translation wrote:Today we are an orbiter in the second studio called Abbey Road, also known as the Beatles Room.
The first one is 9:30 in the morning, the second piece is 9:50 in front of the actual, the third piece is in the production.
Stairs connecting the famous control room to the right.

Well, it definitely can't be definitively ruled out. They may be doing part or all of the musical score for Final there.
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Postby Joseki » Wed Jun 13, 2018 11:26 am

View Original PostThe Eva Monkey wrote:Can we definitively rule this out as having anything to do with Evangelion?



It could be, khara2 tweeted back in December that Sagisu was working on the woundtrack.
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Postby pwhodges » Wed Jun 13, 2018 12:52 pm

All the previous Rebuild music was recorded mainly in London (at Abbey Road, Eastcote, and Air - George Martin's studio) and minor bits in Warsaw and Tokyo, so I'd say it was relevant!
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Postby DarkBluePhoenix » Wed Jun 13, 2018 12:59 pm

Abbey Road, London, I think I'm seeing a pattern here. And from the sounds of it they're doing three songs today, if I'm interpreting the jumbled translation correctly.

And the other soundtracks were recorded in London? That's pretty neat. I wonder if they were all at this same studio...
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Postby FreakyFilmFan4ever » Wed Jun 13, 2018 2:15 pm

Does Sagisu record non-Eva scores in London? If so, is he currently commissioned on any other London-based project?

A quick search on Google indicates that he’s not lined up to score anything after the new Berzerk show other than Shin Eva, so I’ll bet actual money that he’s off in the distance, casting a shadow writing music to the final Evangelion film.

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Postby The Eva Monkey » Wed Jun 13, 2018 4:50 pm

View Original PostFreakyFilmFan4ever wrote:Does Sagisu record non-Eva scores in London?

In one of his recent tweets, he said that he records sessions there 3-4 times a year. Those can't all be Eva.
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Postby pwhodges » Wed Jun 13, 2018 5:31 pm

View Original PostDarkBluePhoenix wrote:And the other soundtracks were recorded in London? That's pretty neat. I wonder if they were all at this same studio...

The full list of studios used for each film is as follows (taken from the OST booklets, and given in the order listed there, presumably greatest use first):

Jo: Abbey Road, London; Eastcote, London; Beethoven, Paris; King Sekiguchidai, Tokyo; Universoul 999, Tokyo.
Ha: Air-Lyndhurst, London; Abbey Road, London; Eastcote, London; Beethoven, Paris; Universoul, Form, Sony Nogizaka, Bunkamura, Ro-JAM up&downstairs, & King Sekiguchidai, Tokyo.
Q: Air-Lyndhurst, London; Abbey Road, London; Eastcote, London; Beethoven, Paris; National Philharmonic Hall, Warsaw; King Sekiguchidai, Tokyo.

In all cases only the London orchestra and choir are fully credited down to the individual players and singers, so they are clearly the main performers.

Actually although the NGE OST disks have much less info (at least in English), the very first of them has a picture of Abbey Road studio 2 being used to record Fly me to the Moon.
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Postby SEELE-01 » Wed Jun 13, 2018 5:57 pm

Question, why do they record in Europe? :???:
Are there no good orchestras or recording studios in Japan?
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Postby robersora » Wed Jun 13, 2018 6:01 pm

From what I've gathered, Shirou Sagisu lives in Paris.
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Postby Guy Nacks » Wed Jun 13, 2018 8:58 pm

That would make sense, given that all of the tracks for Q were titled in French.

He has to be recording at least SOME material for Final. Hopefully, he cools it with the corny male choir tracks. Shit has been cringe.
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Postby DarkBluePhoenix » Wed Jun 13, 2018 9:17 pm

View Original Postpwhodges wrote:The full list of studios used for each film is as follows (taken from the OST booklets, and given in the order listed there, presumably greatest use first):

Jo: Abbey Road, London; Eastcote, London; Beethoven, Paris; King Sekiguchidai, Tokyo; Universoul 999, Tokyo.
Ha: Air-Lyndhurst, London; Abbey Road, London; Eastcote, London; Beethoven, Paris; Universoul, Form, Sony Nogizaka, Bunkamura, Ro-JAM up&downstairs, & King Sekiguchidai, Tokyo.
Q: Air-Lyndhurst, London; Abbey Road, London; Eastcote, London; Beethoven, Paris; National Philharmonic Hall, Warsaw; King Sekiguchidai, Tokyo.

In all cases only the London orchestra and choir are fully credited down to the individual players and singers, so they are clearly the main performers.

Actually although the NGE OST disks have much less info (at least in English), the very first of them has a picture of Abbey Road studio 2 being used to record Fly me to the Moon.

Abbey Road is seems to be the common denominator between all the films and apparently the show as well, which is pretty damn cool.
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Postby robersora » Wed Jun 13, 2018 9:58 pm

Shit has been amazing

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Postby Joseki » Thu Jun 14, 2018 2:29 am



I don't understand either the machine translation and the picture, but it's blurred so it's probably something juicy I guess.

EDIT:

(株)カラー 社長室爆誕した……なにするんだろう
(株)カラー 社長室爆誕した is translated as "The color President's office was reborn"/"We blew up Color President Room" [both seems to be a bit too "extreme" to be correct :lol: ]
なにするんだろう is translated as "What are you doing?"/"I wonder what I will do"

-> "Something happened to Anno's office, reaction from soneone"

社長室
President's office

抹式会社カラー
カラー is khara, 抹式会社 seems to be some sort of copyright thing.

Basically I didn't discover anything using Bing/Google translate. :tongue:

EDIT2:

Sagisu's work is probably not Eva's soundtrack

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Postby robersora » Thu Jun 14, 2018 5:02 am

View Original PostJoseki wrote:
(株)カラー 社長室爆誕した……なにするんだろう


I'm not the best in Japanese, it's pretty vague, but I'd say the tweet says:
Karah's president's board suddenly appeared.... I wonder what (he's) doing...
I guess he's meaning to say, that (this video) suddenly appeared in Khara's office?


View Original PostJoseki wrote:Sagisu's work is probably not Eva's soundtrack


Why, don't you think there's gonna be awesome happy-go-lucky SoL comedy scenes?
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